Freedom to Music
Posts tagged Video
Siena Root – Live at Rockpalast (2006) (@Video)
13 Nov 2011
This is Siena Root’s gig at the Crossroads festival in Bonn, at the Rockpalast on March 24th, 2006.
Track List:
01. Ridin’ Slow
02. Shine
03. Blues 276
04. Mountain I
05. There and Back Again
06. Reverberations
07. The Rat
08. Coming Home
Video: H264, 720×576, 25 fps
Audio: MP3, @192
Links in comments.
Nightwish – Back in the Day… is Now (2008) (@Video)
19 Apr 2010
(Info from wikipedia)
This is a 37-minute-long mini-documentary (companion to Made in Hong Kong EP) chronicling the adventures of Nightwish during their Dark Passion Play tour from 2007 to 2008.
The majority of the film is narrated by Holopainen, with chapters of the film divided by scenes of the band in their tour bus playing “Drunken Uno” – a game of Uno where the loser (who, more often than not, is bassist Marco Hietala) must consume a cup of Jagermeister.
Quite a few interviews, both serious and funny.
Links in comments.
Nightwish – End of an Era (Live 2005) (@256 + Video)
15 Apr 2010
(Review from amazon, allmusic)
This is the live performance at the Hartwall Arena in Helsinki on October 21, 2005, the final concert of a long worldwide tour for their album “Once”.
With high energy all around, the intensity level stays up throughout the entire show, everyone in the arena seems to be fully engaged in the event, the band’s performance is great, the audio is the best yet, and the video work is generally solid too. Realistically, its just about as much as one could hope for as far as capping things off in a positive and energetic way.
There are 18 songs with a concert length of 103 minutes. Despite reputedly having the flu that day, both Marco Hietala and Tarja Turunen sound fantastic – at the top of their form. Hietala adds a lot of onstage chemistry compared to Sami Vanska, as expected.
The biggest strength of “End of an Era” is its ability to re-create the concert experience; the band is at the forefront, but the cheering, clapping, and chanting of the crowd are included as an integral element of the music, not a separate entity. There’s nothing more authentic on a live recording than capturing the requisite concertgoer whose duty it is to break the mood by shouting at inappropriate times.
The opening number, “Dark Chest of Wonders” brings it all together — the song itself, dark, theatrical and operatic, with Turunen’s rich voice floating over power chords, a charging rhythm section, an orchestral backing track, and the enthusiastic crowd at her feet. The vibe continues on “Planet Hell”, the first of several songs to showcase a Turunen/Hietala duet and solos by keyboardist Tuomas Holopainen and guitarist Emppu Vuorinen.
Powerful performances and dark, romantic themes continue to dominate throughout the album. Each song plays to the band’s strength and uses the crowd’s energy and enthusiasm to drive forward and craft memorable moments. A notable cover of Pink Floyd’s High Hopes features Marco Hietala’s vocals as Tarja Turunen takes a break.
As in the beginning of the concert, the final songs are rousing, passionate, and dramatic. “Creek Mary’s Blood”, a lament inspired by Dee Brown’s novel of the same name, benefits from the talent of Native American musician John Two Hawks, who also appeared on the studio version of the song. After an extended flute solo named “Stone People”, Two Hawks sings and plays in a striking duet with Turunen, whose operatic tremolo stands in contrast to her partner’s straighter tone.
The sound takes an abrupt turn immediately afterward as Nightwish launch into a rollicking cover of Gary Moore’s “Over the Hills and Far Away” transformed into a power metal epic as Holopainen and Vuorinen trade riffs between verses and choruses. The album comes to a close with the sprawling, gothic “Wish I Had an Angel”, a looser and more straightforward rock song that sees Turunen and Hietala alternating their vocal duties for what would be the last time.
The aptly titled “End of an Era” is the final Nightwish production to feature Tarja Turunen on vocals. She and the rest of the band parted mere hours after this concert.
Line-up:
- Tuomas Holopainen / Keyboards and Piano
- Tarja Turunen / Vocals
- Marco Hietala / Bass guitar, male vocals
- Erno “Emppu” Vuorinen / Lead guitars
- Jukka Nevalainen / Drums
with
- John Two-Hawks / Vocals, Native American flute
Track List:
CD1
01. Dark Chest Of Wonders – 5:08
02. Planet Hell – 4:44
03. Ever Dream – 5:27
04. The Kinslayer – 4:08
05. Phantom Of The Opera – 5:11
06. The Siren – 4:52
07. Sleeping Sun – 4:55
08. High Hopes – 6:54
09. Bless The Child – 6:24
10. Wishmaster – 4:43
CD2
01. Slaying The Dreamer – 5:04
02. Kuolema Tekee Taiteilijan – 4:13
03. Nemo – 4:46
04. Ghost Love Score – 10:29
05. Stone People – 4:08
06. Creek Mary’s Blood – 8:39
07. Over The Hills And Far Away – 5:26
08. Wish I Had An Angel – 7:52
Links in comments.
Nightwish – End of Innocence (2003) (@Video)
12 Apr 2010
(Review from metal-archives.com)
With this two plus hour documentary, End Of Innocence offers an in depth and insightful interview with founding member, keyboard player, and chief song writer Tuomas Holopainen. Joined by drummer Jukka Nevalinen and current Finntroll vocalist Tapio Wilska, Tuomas tells the story of the band the way only he can. From their humble beginnings in the small town of Kitee to the widely successful world tours of late, this video scrapbook showcases and array of candid memories in a genuine behind the scenes setting that is enthralling on multiple levels.
End Of Innocence is an unprecedented and revealing glimpse into the personalities of each of the five Nightwish collective, but more than anything else, it is a personal journey into Tuomas’ being. The video biography exposes the pressures of living under the microscope and the hardships of trying to live up to the expectations that come with being a rock star. Though he has accomplished so much in such a short time, Tuomas seems to have trouble accepting that his hard work has somehow paid off. Though every Nightwish record reaching platinum status in most countries throughout Europe and other parts of the world, he is a passionate perfectionist that is never truly satisfied with his art.
Spoken mostly in the band’s native tongue, for many people “End Of Innocence” plays much like a Japanese anime with english subtitles across the bottom of the screen. At times this makes things a bit confusing and hard to follow along during key moments. This is a prime example of why God created patience and, of course, the reverse button. Surfacing every few minutes or so between the discussions are priceless clips of back stage pranks and high energy performances from all over the globe. These tidbits show how the Nightwish crew interacts as a band, and more importantly, as a family. Every person closely linked to them, whether it be a manager, producer, or roadie, all share a special bond that keeps them going day after day.
Once, when Nightwish was just starting out, an unwise critic took it upon himself to declare the band as having ‘no future or commercial potential’. End Of Innocence depicts perfectly how wrong he was and charts where the band has been, where they are, and where they are heading.
Video: Xvid, 544×432, 25 fps
Audio: AC3, 192 kbit/s, Finnish
Subtitles: English
Total Runtime: 134 min
Links in comments.
Nightwish – From Wishes To Eternity (Live 2001) (@256 + Video)
07 Apr 2010
(Review from wikipedia, progarchives.com, metaleater.com)
The band’s first live album was recorded in Tampere, Finland on the 29th of December 2000, during the Wishmaster tour. Nightwish was becoming a international smash, but they were still with that novice’s passion and eager to show the world their power.
The songs sound fantastic and are almost studio quality. Aside from the bassist who stands in one place, the band members are energetic and get due attention from the camera, though Tarja remains the focus. Jukka Nevalainen likes to twirl his drumsticks, which adds an entertaining flare to his tight playing.
The performance is bolstered by a tasteful use of lighting and pyro. Often you see the silhouettes of crowd members clapping along to the songs, which is a nice touch. While there’s not much by way of stage banter, at least the dialogue is in English and Tarja’s accent rules: “I vant you to sing vith me”.
The atmosphere at the concert is superb and every time the camera cuts randomly to a section of the audience, there is a sea of outstretched arms and pointing index fingers of fans who are singing along word for word.
In addition to a show of Nightwish material, the band also performes a medley, “Crimson Tide, Deep Blue Sea”, which borrows melodies from many sources, including Hans Zimmer’s music in the 1995 movie Crimson Tide.
Line-up:
- Tuomas Holopainen / synthesizers
- Jukka Nevalainen / drums
- Tarja Turunen / lead vocals
- Sami Vanska / bass
- Emppu Vuorinen / guitar
with
- Tapio Wilska / male vocals (4)
- Tony Kakko / male vocals (14)
Track List:
01. The Kinslayer – 4:12
02. She Is My Sin – 4:49
03. Deep Silent Complete – 4:24
04. The Pharaoh Sails to Orion – 6:39
05. Come Cover Me – 4:44
06. Wanderlust – 4:34
07. Instrumental (Crimson Tide / Deep Blue Sea) – 3:29
08. Swanheart – 3:55
09. Elvenpath – 4:51
10. FantasMic Part 3 – 3:24
11. Dead Boy’s Poem – 6:52
12. Sacrament of Wilderness – 5:06
13. Walking in The Air – 5:10
14. Beauty & The Beast – 6:40
15. Wishmaster – 5:03
Link in comments.
Ozric Tentacles – Live at the Pongmasters Ball (2002) (@256 + Video)
07 Feb 2008
(Review from progarchives.com)
The band lost their previous drummer Rad at the beginning of 2001, so he was replaced by Stuart Fisher, better known as Schoo, and he is put to good work on this concert. Unsurprisingly, the music is live reruns of material you are already familiar with, but of course the band included added on solos and ambient experiments as well.
Material as far back as “Sliding Gliding Worlds” (“Kick Muck”, “It’s a Hup Ho World”) is represented, up to the title track of “Pyramidion”. Also you get “Oakum”, a song that previously appeared only as a fan club-only issued CD called Oakum, released in 2001. I never heard the original, but this live version is amazing. It starts off deceptively like the beginning part of Steve Hillage’s “Rainbow Dome Musick”, before the synth rhythms kick in and the band really starts jamming with great analog synth leads.
The most amazing thing of this whole concert is it sounds like the band is returning to that earlier sound. They really seemed to cut back on the techno, reminding of their early cassette-era material, except the band is much more experienced at this point, the music has better dynamics. Schoo used nothing but real drums throughout (Rad used combination real and electronic drums), which is a real surprise.
Video: Xvid, 720×576, 25 fps
Audio: MP3, 192 kbit/s
Total Runtime: 117 min
Line-up:
- Ed Wynne / guitar, keyboards
- John Egan / flute, vocals
- Zia Geelani / bass
- Seaweed / keyboards
- Stuart Fisher (Schoo) / drums, percussion
Track List:
CD1
01. Oddentity – 11:17
02. Erpland – 5:31
03. Oakum – 8:42
04. Myriapod – 11:10
05. It’s A Hup Ho World – 7:17
06. Pixel Dream – 7:40
07. The Domes Of G’Bal – 6:00
08. Pyramidion – 12:15
CD2
01. Saucers – 8:19
02. Dissolution (The Clouds Disperse) – 12:30
03. Sploosh! – 7:11
04. Ta Khut – 2:35
05. Kick Muck – 5:18
06. The Throbbe – 10:53
Links in comments.
Traffic – The Last Great Traffic Jam (Live 1994) (@Video)
12 Dec 2007
(Review from concertdvdreviews.com, progarchives.com)
The Last Great Traffic Jam is a documentary of Traffic’s 1994 reunion tour and features original members Winwood and Jim Capaldi joined by Randall Bramblett (woodwinds, keys), Walfredo Reyes Jr. (percussion, drums), Mike McEvoy (guitar, keys), and one-time Traffic bassist Rosko Gee, who had played on their final album “When The Eagle Flies”.
Capaldi and Winwood’s performances show them enjoying playing together again. The other members of the band are very good musicians but Chris Wood’s presence and playing on stage is obviously missed. The line-up is very good though, particularly Cuban percussionist Walfredo Reyes Jr. playing style sounds better adapted to Traffic’s music. Sax & flute player Randall Bramblett is a very good and professional musician, and it is obvious that he knew that replacing Chris Wood wasn’t going to be an easy thing to do, so he plays in his own style without trying to copy Wood’s.
The eleven song setlist was disappointingly short, but the song choices provided an excellent overview of the various styles of music you will find in this band’s eclectic catalogue, including psychedelic rock, melodic pop, English folk, R&B, and the occasional hints of jazz. Every Traffic album, except 1973′s Shoot Out The Fantasy Factory, was represented here by at least one song, and every one of these classic old songs sounds fresh and rejuvenated. Steve Winwood has never sounded better, both vocally and on the guitar, which was his instrument of choice throughout most of the concert. He only occasionally took to the Hammond B3 and piano.
For many of the shows on this tour, Traffic opened up for the Grateful Dead. Jerry Garcia returned the favor by lending his guitar to the song, which the Dead had practically made their own, “Dear Mr. Fantasy”.
The only downside of this video is that the concert video footage (not the audio) is occasionally interrupted with special effects and images. Just plainly showing the incredible performances of this legendary band would have been more than enough.
Video : Xvid, 720×480, 29.97 fps
Audio : MP3, 224.0 kbit/s
Total Runtime : 103 min
Line-up:
* Steve Winwood / Vocals, guitars, piano, organs
* Jim Capaldi / Vocals, percussions, drums
* Rosko Gee / bass
* Randall Bramblett / winds
* Mike McEvoy / keys, guitars
* Walfredo Reyes Jr / percussions, drums
with
* Jerry Garcia / guitar on Dear Mr Fantasy
Track List:
01. Pearly Queen
02. Medicated Goo
03. Mozambique
04. 40,000 Headmen
05. Glad
06. Walking In The Wind
07. Low Spark
08. Light up
09. Dear Mr Fantasy
10. John Barleycorn
11. Gimme Some Lovin’
Links in comments.
Rainbow – Live in Munich (1977) (@Video)
01 Aug 2007
(Review from progarchives.com)
This concert was recorded in Munich on October 20, 1977, at Rainbow’s 1977 European tour, a few months prior to the release of their third studio album, “Long Live Rock n’ Roll”. It was originally filmed to air on the German TV “Rockpalast” show.
This video captures the mindblowing spirit of Rainbow in those days: the powerful voice and enthousiastic performance by Ronnie James Dio (the ultimate hardrock singer), the great and varied guitarwork by the former Deep Purple guitarist Ritchie Blackmore, the powerhouse rhythm-section and the exciting extra dimension to Rainbow their sound by David Stone on his wide range of vintage keyboards, the sensational huge illuminated rainbow on stage and the filming of the band and the members, very tasteful and captivating. We can watch a lot of exciting shots on Ritchie Blackmore playing on his Fender Stratocaster, often near his huge Marshall amplifier, sometimes with soft blue light, at other moments in a sea of coloured lights. The highlights on the video include: great vocals and a long and compelling solo with subtle use of the tremolo-arm in the bluesy “Mistreated”, fragile Bach-inspired guitarplay during the intro of “Sixteenth Century Greenslaves”, a bluesy guitar solo in the final part of “Man On The Silver Mountain” (close to the early Deep Purple sound), a sensational drumsolo by Cozy Powell, in the closing section accompanied by bombastic classical orchestrations in “Still I’m Sad” and a biting guitarsolo in the final concert track “Do You Close Your Eyes”. But one gets really carried away by keyboard player David Stone’s performance during Still I’m Sad: the intro delivers stunning work on Hammond (church organ sound) and Mellotron (majestic choir-section), halfway this composition he got a solo spot in which he plays sensational pitchbend-driven flights on two Minimoogs, it sounds like ‘Seventies’ Rick Wakeman meets ‘Pulstar’ Vangelis, goose bumps!
This video is close to the heavy magic of 70s Deep Purple and Uriah Heep, what a power and skills, a 70s rock document!
Video : Xvid, 704×480, 29.97 fps
Audio : AC3, Stereo, 48000 Hz, 256.0 kbit/s
Total Runtime : 113 min
Line-up:
* Ritchie Blackmore – Guitar
* Ronnie James Dio – Vocals
* Cozy Powell – Drums
* Bob Daisley – Bass
* David Stone – Keyboards
Track List:
01. Intro – 1:44
02. Kill the King – 4:42
03. Mistreated – 11:49
04. Sixteenth Century Greensleeves – 8:52
05. Catch the Rainbow – 18:44
06. Long Live Rock ‘n’ Roll – 8:01
07. Man on the Silver Mountain – 16:25
08. Still I’m Sad – 27:33
09. Do You Close Your Eyes? – 15:40
Links in comments.
Vital Duo – Le Jardin Hors Du Temps (2004) (@Video)
18 May 2007
(Review from progressor.net)
Vital Duo is the Payssan brothers: Thierry and Jean-Luc. These two amazing composers and multi-instrumentalists formed the project in 1999 after they for some reason disbanded their brainchild and one of the best French bands ever existed in the history of progressive rock, Minimum Vital. Back in 2001, Vital Duo presented their first album “Ex Tempore”, which is an amazing masterpiece and is certainly one of the most innovative albums released in the new millennium. Vital Duo’s “Le Jardin Hors du Temps”, lasts about 55 minutes and includes nine compositions, only two of which: the 7-minute Se me dame and the 3-minute “Louez son nom” come from “Ex Tempore”. All seven of the other Vital Duo compositions on the DVD are fresh. In other words, “Le Jardin Hors du Temps” is actually the new Vital Duo album with two bonus tracks. It was performed, recorded, and shot in the Mussonville chapel, a small beautiful cathedral located not far from the city of Bordeaux in France. This chapel is a gorgeous monument of medieval architecture; so everything is filled with the spirit of the Middle Ages on “Le Jardin Hors du Temps”, starting with Vital Duo’s music, of course. Overall, the contents of the new Vital Duo album are about that wonderful trinity of symphonic art-rock, classical music, and medieval music, which the Payssan brothers presented on “Ex Tempore”. However, most of the numbers here are compositionally more complex than those on the duo debut album, so the predominant stylistics of “Le Jardin Hors du Temps” should, in my honest opinion, be defined as medieval classical music with elements of modern progressive rock. During the performance, Thierry plays a ‘multi-purpose’ synthesizer, cymbals, and the other metallic percussion instruments, and Jean-Luc an electric guitar, varied acoustic guitars, lute, a bass drum, and hi-hat. A couple of numbers feature vocals, and one of them: Zildeline Danse is with lyrics in one of the Slavic languages. It’s just amazing to see how skillfully these multi-instrumentalists play a few instruments simultaneously. It’s just wonderful to hear the sound of this duo: often, it’s not unlike that of a full-fledged band. Diverse interplay between solos of either electric or acoustic guitar and those of digital church organ and the other synthetic, yet, very realistically sounding keyboard and chamber instruments, including synth-bass, accompanied by the sounds of bass drum, tambourine, and cymbals, are typical for most of the contents of “Le Jardin Hors du Temps”. Performed within the precincts of a chapel, this album is possessed of a triple effect. Just open your eyes, ears, and soul and absorb this musical magic.
Track List:
01. Introit
02. Se Me Dame
03. Zildeline Danse
04. Sliman
05. Gothik
06. Le Jardin Aux Statues
07. Officium
08. Mauresque
09. Louez son nom
Video: Xvid, 720×480, 29.97 fps
Audio: MP3, @224
Links in comments.
Minimum Vital – Les Mondes de… (1994) (@Video)
16 May 2007
(Review from progressor.net, musearecords.com)
At the end of 1993, Thierry and Jean-Luc Payssan were very unsatisfied and nearly thought about quitting the band. But they had composed new music, and they were sure they could go one step further on the La Source direction. So they had no other choice but to form a fresh, new Minimum Vital. They kept Eric Rebeyrol on bass, and got drummer Charly Berna and Sonia Nedelec on vocals. This team was probably the best incarnation of the band. The new band began to tour in 1994 and got the opportunity to play at the Progfest Festival in Los Angeles, where the audience reaction was really enthusiastic. They began to think of a new album, but they wanted to present the new band as soon as possible. So they decided to record the videotape called Les Mondes De / Worlds Of Minimum Vital, which was released in March 1995.
Minimum Vital’s famous live video “Les Mondes de” allows to understand better the strange attraction that charmed the American audience, reputedly very demanding, during the 51 minutes that the Los Angeles’ ProgFest 1994 performance lasted. It comprises pieces from their first three albums, as well as unreleased tracks.
The material originally released on VHS were carefully remastered. Live numbers present the latest period of creation of Minimum Vital with charming Sonja Nedelec as a lead singer. Sonja’s vocals with lyrics in the Breton dialect are simply fantastic.
Track List:
01. Les Mondes de Miranda
02. Modern Trad’
03. Dans Les Chateaux / Porte Sur L’Ete
04. Ann Dey Floh
05. Mystical West
06. A Bien Des Egards
07. La Source
Video: Xvid, 720×480, 29.97 fps
Audio: MP3, @224
Links in comments.
Jeff Wayne – War of the Worlds Collector's Edition (@256 + Video)
01 May 2007
This set is pretty crazy. It’s a limited edition 7 disc set of the famous musical. Like the regular edition it features the original album on the first two CDs. In addition there is one disc of remixes, and 3 CDs of unreleased material of various outtakes and the actors reading from the unabridged script. There is a DVD which features a “making of” documentary and new interviews with Jeff Wayne. Clearly it’s for the die hard fan.
Track List:
CD3
01. Ulladubulla [Papa Ootzie Remix]
02. Eve of the War [Hybrid's Fire in the Sky Mix]
03. Forever Autumn [N-Trance Remix]
04. Horsell Common and the Heat Ray [Max Mondo Remix]
05. Spirit of Man – Spirit of Dub [Tom Frederikse/Gaëtan Schurrer Remix]
06. Eve of the War [Hani Remix]
07. Artilleryman and the Fighting Machine [Max Mondo Remix]
08. Brave New World [Todd Terry Remix]
09. Forever Autumn [Dark Autumn Dub. Tom Frederikse/Gaëtan Schurrer Remix]
10. Red Weed [Mister Joyboy Remix]
11. Spirit of Destiny (The Parson Versus Palene) [Cassidy/Langan/Wayne Remi
12. Eve of the War [1980 Disco Steve Thompson Remix]
13. Spirit of Man [Max Mondo Remix]
14. Eve of the War [Ben Liebrand Remix]
15. Brave New World [Dario G Remix]
16. Dead London [Mister Joyboy Remix]
17. Eve of the War Versus Animal and Man [Forrest/Schurrer/Wayne Remix]
CD4
01. Four Narrators (Opening Passage)
02. Eve of the War [Original Unused Intro]
03. Eve of the War [Early Band Take]
04. Eve of the War [Stripped Down Mix]
05. Eve of the War
06. ‘That’ Laugh
07. Out-Takes (From Horsell Common and the Heat Ray)
08. Out-Takes (From Horsell Common and the Heat Ray) (Continued)
09. Out-Takes (From Horsell Common and the Heat Ray)
10. Horsell Common and the Heat Ray [Early Version]
11. Out-Takes (From Horsell Common and the Heat Ray)
12. Heat Ray Versus the Jangle Piano (Martian Versus Man)
13. Artilleryman and the Fighting Machine [Early Band Take, Featuring Origi
14. Richard Burton Out-Take
15. Lego Toys [Original 1969 TV Commercial]
16. Forever Autumn [Original 1972 Version]
17. Bar Count-Under Attack (From Forever Autumn)
18. Forever Autumn [Early Version]
19. Bar Count Continues (From Forever Autumn)
20. Paperboys [Original Unused Out-Take]
21. Paperboys [Original Unused Out-Take]
22. Paperboy Shouts and Panicking Crowd [Original Unused Out-Takes from For
23. Paperboy Shouts and Panicking Crowd [Original Unused Out-Takes from For
24. "Ugly Brutes! " and "See Them?" [Original Unused Out-Takes from Forever
25. Forever Autumn [Early Version]
26. Thunder Child [Early Version]
27. Thunder Child [Later Version]
28. Four Narrators (The Earth Belonged to the Martians)
29. Four Narrators (The Red Weed)
30. Red Weed [Early Version]
31. Unused Out-Take (From the Red Weed)
32. Red Weed [Original Unused Part]
33. Red Weed [Original Unused Part]
34. Jeff’s “Worth a Listen” Red Weed Alternative
35. Original 75″ Radio Commercial
CD5
01. Parson Nathaniel [2005 Revisited Version]
02. Spirit of Man [Early Version With Unused Acting Parts]
03. Spirit of Man [Early Version Guide Vocals]
04. Spirit of Man [Jerry, Doreen & Phil Acting Out-Takes]
05. Spirit of Man [Alternative Version]
06. “Are You Ready Jeff?” [Acting Out-Take from the Spirit of Man]
07. “Are You Ready Jeff?” [Acting Out-Take from the Spirit of Man]
08. Spirit of Man
09. Spirit of Man [Out-Take, Including Original Unused Script]
10. Spirit of Man [Out-Take, Including Original Unused Script]
11. Spirit of Man [Out-Takes, Including Original Unused Script]
12. Spirit of Man [Beth & Parson Out-Takes, Including Original Unused Scrip
13. Spirit of Man [Out-Takes, Including Original Unused Script]
14. Spirit of ‘Mayan’ [Parson Out-Takes]
15. Spirit of Man (Beth Is Killed)
16. Spirit of Man [Beth Is Killed - Original Out-Take]
17. Spirit of Man [Guitar Solo]
18. ‘Outcries’ (From the Spirit of Man)
19. Spirited Man [Strings and Acoustic Guitar Alternative]
20. Spirit of Man [Beth Out-Takes]
21. Spirit of Man [Beth Out-Takes]
22. Spirit of Man [Beth Out-Takes]
23. Spirit of Man [Beth Out-Takes]
24. Spirit of Man [Beth Out-Takes]
25. Spirit of Man [Beth Out-Takes]
26. Spirit of Guitars (Guitars and Strings from the Spirit of Man)
27. Tea for Two: Jerry & Phil’s Late Night Cabaret
28. Parson Nathaniel Scream Out-Takes (From the Spirit of Man)
29. Parson Nathaniel Scream Out-Takes (From the Spirit of Man)
30. Original Parson Scream Out-Takes
31. Original Spanish Parson Scream Out-Takes
32. German Journalist and Parson Out-Takes
33. Spanish Journalist and Parson Scream Out-Take
34. “And There Was Nothing I Could Do to Prevent It” [Out-Takes and Master]
35. Parson Nathaniel [Original Unused Song]
36. “Less Piano and More Air, Please! “
37. Artilleryman Returns [With Unused Parts]
38. Artilleryman’s Out-Takes (From Brave New World)
39. Artilleryman’s Out-Takes (From Brave New World) (Continued)
40. Artilleryman’s Out-Takes (From Brave New World)
41. Brave New World [Early Piano Demo]
42. Brave New World [Early Band Take]
43. Artilleryman’s “I’ve Got a Plan! ” Out-Takes (From Brave New World)
44. Brave New World [Acoustic Alternative]
45. Brave New World [Alternative Version]
46. Spanish Artilleryman’s Plan (From Brave New World)
47. Acting Out-Takes (From Brave New World)
48. Acting Out-Takes (From Brave New World)
49. Acting Out-Takes (From Brave New World)
50. Acting Out-Takes (From Brave New World)
51. Acting Out-Takes (From Brave New World)
52. Original 40″ Radio Commercial
53. Regressing Bar Count
CD6
01. Dead London [Early Version, Featuring Original Piano Demo]
02. Dead London [Early Band Run-Through]
03. Murderous Out-Takes (From Dead London)
04. Murderous Out-Takes (From Dead London)
05. Bar Count (From Dead London)
06. Breathless Out-Take (From Dead London)
07. Epilogue I [Early Band Take]
08. Four Narrators (Epilogue)
09. Unused Alternative NASA Epilogue Out-Take
10. Unused Alternative NASA Epilogue Out-Take
11. Unused Alternative NASA Epilogue Out-Take
12. NASA Epilogue Spanish Version
13. Spanish Narrator Out-Take
14. Spanish Narrator Out-Take
15. Spanish Narrator Out-Take
16. Spanish Narrator Out-Take
17. Original Narration and Acting Parts [Unabridged]
18. Original Narration and Acting Parts [Unabridged]
19. Original Narration and Acting Parts [Unabridged]
20. Original Narration and Acting Parts [Unabridged]
21. Original Narration and Acting Parts [Unabridged]
22. Original Narration and Acting Parts [Unabridged]
23. Original Narration and Acting Parts [Unabridged]
24. Original Narration and Acting Parts [Unabridged]
25. Original Narration and Acting Parts [Unabridged]
26. Original Narration and Acting Parts [Unabridged]
27. Original Narration and Acting Parts [Unabridged]
28. Original Narration and Acting Parts [Unabridged]
29. Original Narration and Acting Parts [Unabridged]
30. Original Narration and Acting Parts [Unabridged]
31. Original Narration and Acting Parts [Unabridged]
Bonus DVD : Deconstructing the War of the Worlds
Video: Xvid, 720×576, 25 fps
Audio: Dolby AC3 (stereo, 48000 Hz)
92 min
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Flairck (+Corpus) – Circus Hieronymus Bosch (2002) (@Video)
19 Jan 2007
Well actually I had planned this one as a memorable ending for the Flairck posts on Tuesday, but damn the slow upload speeds, I just finished uploading.
Audio is exactly copied (AC3 5+1), video is encoded in xvid4 – 720×576 – 25 fps, the total show is 95 minutes long.
(Info from flairck.nl)
The ‘acrobatic’ musicians of Flairck, Holland’s foremost acoustic band and the ‘musical’ acrobats of Corpus, the well-known acrobatic theatre group from Amsterdam have joined forces in a new theatrical circus production called Circus Hieronymus Bosch.
For five hundred years after painting his unparalleled masterpieces, the Dutch painter Hieronymus Bosch has never ceased to astonish those who have come into contact with his work.
This production was inspired by a long search for the meaning of the work by this most secretive master-painter of the Low Lands.
Track List:
01. Overture (Erik Visser) 7:24
02. Creation (Erik Visser) 10:25
03. Circus of Life (intro) (Erik Visser) 2:36
04. Laziness (Eric Vaarzon Morel) 8:25
05. Vanity (Nihad Hrustanbegovic) 5:59
06. Lust (Erik Visser) 6:52
07. Jealousy (Erik Visser) 2:56
08. Circus of Life (coda) (Erik Visser) 3:23
09. The Blue Barge (Erik Visser) 4:41
10. Hell (Erik Visser) 17:29
11. Hesitation (Erik Visser) 6:28
12. Heaven (Erik Visser) 14:23
13. Finale (Erik Visser) 3:20
14. Credits (Erik Visser) 1:01
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