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Posts tagged Peter Sinfield
Peter Sinfield – Still (1973) (@256)
28 Aug 2008
Thanks to Bilek for the contribution.
(Review from progarchives.com)
It’s interesting to listen what kind of result comes from the musical vision of King Crimson’s court lyricist without the guidance of Robert Fripp. The album features the typical Peter Sinfield elements like poetical lyrics and often a cynical undertone.
Almost everybody who played with King Crimson is on this album. However, only on one track- ‘The Night People’- does the album sound all that much like King Crimson, and even then, it’s the jazzier 1971 period that produced albums like ‘Lizard’ and ‘Islands’. It fits in with tracks like ‘Formentera Lady’ and ‘Indoor Games’ well enough, with Sinfield’s stream of consciousness words fitting the jazziness fairly well.
The rest of the album arguably, and somewhat surprisingly, owes more to the pastoral splendour of a band like Barclay James Harvest. These are dreamy with a wonderful harmony of acoustic guitar, flute, strings and the warm voice from Sinfield. His high, thin, reedy voice may put off some listeners but others will probably find it fitting and original. ‘Envelopes Of Yesterday’, with its treated guitar work and spaced-out atmosphere, edges towards Pink Floyd’s ‘Echoes’!
This edition also has two bonus tracks as well: the opener “Can You Forgive A Fool” which is very much pastoral and features some pleasant keys. The second one “Hanging Fire” is a candid and folk acoustic song.
Line-up:
- Peter Sinfield / vocals, guitar, synthesizer
with
- Chris Pyne / trombone
- Stanley Roderick / trumpet
- W.G. Snuffy Walden / guitar
- Ian Wallace / drums
- Tim Hinckley / piano
- Brian Flowers / synthesizer
- Don Honeywill / saxophone
- Keith Christmas / guitar
- Greg Lake / guitar, vocals
- Robin Miller / wind, cor Anglais
- Greg Bowen / trumpet
- Richard Brunton / guitar
- Boz Burrell / bass
- Brian Cole / guitar
- Mel Collins / celeste, flute, saxophone, wind, brass
- Steve Dolan / bass
- Don Honeywell / saxophone
- Phil Jump / Glockenspiel, keyboards, organ, piano, synthesizer
- John Wetton / drums, bass, percussion
- Keith Tippett / bass, piano
Track List:
01. The Song of the Sea Goat (6:08)
02. Under the Sky (4:24)
03. Will It Be You (2:42)
04. Wholefood Boogie (3:40)
05. Still (4:45)
06. Envelopes of Yesterday (6:19)
07. The Piper (2:51)
08. A House of Hopes and Dreams (3:57)
09. The Night People (7:56)
10. Can You Forgive A Fool? (Bonus) (4:21)
11. Hanging Fire (Bonus) (3:04)
Link in comments.
McDonald & Giles – McDonald & Giles (1971) (@256)
20 Aug 2008
(Review from vintageprog.com, progarchives.com)
After recording “In the Court of the Crimson King” as founding members of King Crimson, Multi-instrumentalist Ian McDonald and drummer Michael Giles left the band. Together they managed to record one self-titled album of fine quality progressive music.
While there are some obvious nods to the feel of “In the Court of the Crimson King” this album sounds much more like Caravan and even Supersister. The album is of a much lighter and less sinister tone than anything King Crimson ever did. It has a very hippie vide, a stubborn desire for playfulness, and a “let’s find Utopia” attitude. While it doesn’t push the envelope like Fripp would, it is still an extremely enjoyable album for fans of the bands mentioned above. Top notch playing is everywhere from Giles’ very tasteful percussion to McDonald’s lovely flute and guitar. The arrangements are quite adventurous and the sound is really good. Lyrics are absurdist and silly sometimes but that’s part of the fun.
This is progressive rock weaving together all kinds of styles and ideas into one hazy patchwork quilt.
Line-up:
- Ian McDonald / guitar, piano, organ, saxes, flute, clarinet, zither, vocals and sundries
- Michael Giles / drums, percussion (including milk bottle, handsaw, lip whistle and nutbox), vocals
- Peter Giles / bass guitar
- Peter Sinfield / lyricist
with
- Steve Winwood / organ, piano solo (1)
- Michael Blakesley / trombone (4)
Track List:
01. Suite In C
02. Flight Of The Ibis – 3:18
03. Is She Waiting? – 2:42
04. Tomorrow’s People – The Children Of Today – 7:00
05. Birdman
06. Involving The Inventor’s Dream (O.U.A.T.), The Workshop, Wish-Bone Ascension, Birdman Flies!, Wings In The Sunset, Birdman-The Reflection. – 21:40
Link in comments.
King Crimson – KCCC30 Live in Brighton (1971) (@256)
12 Aug 2008
(Review from progarchives.com)
Music is great, it’s just one brilliant King Crimson concert more. But the whole problem is sound quality, which makes this album not very listenable.
There are two rare live tracks : “Islands” sounds good, even if not as perfect as in studio version. “Letters” is played and especially sung very impressing.
Line-up:
* Boz Burrell – bass, lead vocals
* Robert Fripp – guitar, mellotron
* Mel Collins – saxes, flute, mellotron
* Ian Wallace – drums, vocals
* Peter Sinfield – words, sounds & visions
Track List:
CD1
01. Cirkus – 11:02
02. Pictures Of A City – 11:04
03. Formentara Lady – 7:14
04. The Sailor’s Tale – 5:30
05. The Letters – 8:05
06. Islands – 7:00
CD2
01. Ladies Of The Road – 6:52
02. 21st Century Schizoid Man – 24:55
03. Groon – 12:00
04. Mars – 10:11
Links in comments.
King Crimson – KCCC25 Live at Filmore East (1969) (@256)
06 Aug 2008
(Info from progarchives.com)
This album contains two back-to-back gigs from November 21&22, 1969. The sound quality is quite good and the performances are decent. The gig from 21 November was previously released as Vol. 1 of the Epitaph Live Box Set (with the exception of The Court of Crimson King).
Line-up:
* Robert Fripp – guitar
* Ian McDonald – flute, saxophone, mellotron, vocal
* Greg Lake – bass guitar, lead vocal
* Michael Giles – drums, percussion, vocal
* Peter Sinfield – words and illumination
Track List:
01. The Court Of The Crimson King – 2:36
02. A Man A City – 12:21
03. Epitaph – 8:03
04. 21st Century Schizoid Man – 8:05
05. The Court Of The Crimson King – 2:16
06. A Man A City – 12:19
07. Epitaph – 8:31
08. 21st Century Schizoid Man – 7:56
Links in comments.
King Crimson – KCCC18 Live in Detroit (1971) (@256)
30 Jul 2008
“Live in Detroit” was recorded at East Town Theatre, November 13, 1971.
Line-up:
- Boz Burrell / bass, lead vocals
- Mel Collins / flute, saxophone, mellotron
- Robert Fripp / guitar, mellotron
- Ian Wallace / drums, vocals
- Peter Sinfield / words, sound & visions
Track List:
CD1
01. Pictures of A City – 9:02
02. Formentera Lady – 9:08
03. Sailor’s Tale – 5:59
04. Cirkus – 9:14
05. Ladies of the Road – 7:54
06. Groon – 17:49
CD2
01. 21st Century Schizoid Man – 13:21
02. Mars – 13:22
03. In the Court of the Crimson King – 3:31
04. Lady of the Dancing Water – 2:25
Links in comments.
King Crimson – KCCC14 Live at Plymouth GuildHall (1971) (@256)
26 Jul 2008
Thanks to Bragi Taliesin for the contribution.
(Review from wikipedia)
Live at Plymouth Guildhall is a double live album, recorded at the Guildhall in Plymouth, UK on May 11, 1971. This concert was the fifth ever live performance by the Islands version of King Crimson. The CD release was adapted from the original soundboard tape, mixed by Peter Sinfield. An audience bootleg was added to repair the missing introduction to “Get Thy Bearings”.
“21st Century Schizoid Man” is sung by Boz with this line-up and his distorted voice sounds really demonic. It is surprising that a song like “Cirkus” (from Lizard) is performed on stage — it’s really tremendous that they would manage to re-create it on-stage, not losing it’s power, mystery and all the rest… Biggest surprise here is an early (pre-”Islands”) 15-minutes long version of “Sailor’s tale”, very different from the later one. We also have “Lady of the dancing water” and “Get thy bearings” (which is in fact rather an improvisation, with a slight hint to “get thy bearings”). Later on they delated “Get Thy Bearings” and played “Groon” instead. But in fact both are very free-form improves.
Line-up:
* Boz Burrell – Bass, Lead Vocals
* Mel Collins – Flute, Sax, Mellotron
* Robert Fripp – Guitar, Mellotron
* Ian Wallace – Drums, Vocals
* Peter Sinfield – Words, Sounds & Visions
Track List:
CD1
01. Cirkus – 10:08
02. Pictures of a City – 8:53
03. Sailor’s Tale – 15:32
04. The Letters – 4:48
05. Lady of the Dancing Water – 2:52
06. Cadence and Cascade – 4:24
CD2
01. Get Thy Bearings – 13:24
02. The Court of the Crimson King – 8:09
03. Ladies of the Road – 9:05
04. 21st Century Schizoid Man – 8:58
05. Mars – 9:12
Links in comments.
King Crimson – KCCC12 Live in London (1969) (@256)
24 Jul 2008
(Review from progarchives.com)
On this album we can hear the famous Hyde Park concert, where King Crimson played in front of some 500,000 people as opening act for the Rolling Stones. It all happened on July 5, 1969.
The concert opens with two tracks from their debut album, which at the time of this concert had yet to be released. First “21st Century Schizoid man” and then the mellotron drenched “In the Court of the Crimson King”. The next track, “Get thy bearings” was written by Donovan. It’s a jazzy track with great soloing by McDonald and a bluesy, guitar led ending. Next is a short and beautiful version of “Epitaph”. This is followed by “Mantra”, also a short tune. It sounds spooky and has a beautiful flute sound. Without noticing this track turns into the next track, “Travel Weary Capricorn”. This is also a very jazzy tune. The concert ends with “Mars” (written by Holst). This music would be used for the track “The Devils Triangle” on the album “In the Wake of Poseidon”.
As bonus tracks there is an interview with the members of the first King Crimson incarnation at the time the live album Epitaph was released (March 15, 1997). But even more interesting there is an instrumental version of “21st Century Schizoid Man”, recorded at Morgan Studio on June 12, 1969.
The sonic quality of this release is acceptable and comparable to the mainstream Epitaph live set.
Line-up:
* Robert Fripp – Guitar
* Ian McDonald – Flute, Saxophone, Mellotron, Vocal
* Greg Lake – Bass Guitar, Lead Vocal
* Michael Giles – Drums, Percussion, Vocal
* Peter Sinfield – Words and Illumination
Track List:
01. 21st Century Schizoid Man – 6:37
02. In The Court Of The Crimson King – 6:31
03. Get Thy Bearings – 9:41
04. Epitaph – 4:28
05. Mantra – 3:04
06. Travel Weary Capricorn – 5:37
07. Mars – 3:59
08. Band Reunion Meeting (Bonus 1997) – 15:20
09. 21st Century Schizoid Man (Bonus Instrumental 1969) – 6:48
Links in comments.
King Crimson – KCCC01 Live at Marquee (1969) (@256)
14 Jul 2008
(Review from wikipedia, progarchives.com)
In 1998, King Crimson Collectors’ Club (KCCC) were founded, a service that regularly releases live recordings from concerts, studio sessions and radio sessions throughout the band’s career.
Live at The Marquee is the first of many KCCC albums. Tracks 1-7 believed to be recorded at the Marquee Club, London, UK, July 6, 1969. Track 8 was recorded at the Fairfield Halls, Croydon, UK, October 17, 1969.
Fripp is absolutely marvelous on this record, and his harmonizations and arpeggios are flawlessly executed, as well as the occasional shreds. Greg Lake’s vocals here are awfully forced and there’s hardly any modulation in his voice, often just shouting. Giles is Giles as always, a very underrated drummer, although this album is probably not the best way to be introduced to his talents; studio albums will do much better. Ian McDonald’s flute sounds flowing as always, especially on “Travel Weary Capricorn”: a very jazz-flavoured piece, in which he pulls out a “Ian Anderson”.
This album has the worst bootleg quality you could find anywhere, but if you’re not an audiophile or a sound quality freak, then this will present no problem. Proceed with caution though… this albums has as much flaws as virtues.
Line-up:
* Robert Fripp / guitar
* Greg Lake / bass guitar, vocals
* Ian McDonald / woodwinds, keyboards, mellotron, vocals
* Michael Giles / drums, percussion, vocals
* Peter Sinfield / illumination
Track List:
01. 21st Century Schizoid Man – 6:21
02. Drop In – 5:41
03. I Talk to the Wind – 5:17
04. Epitaph – 3:20
05. Travel Weary Capricorn – 11:06
06. Improv (including Nola and Etude no. 7) – 12:29
07. Mars – 8:29
08. Trees – 18:44
Links in comments.
King Crimson – Ladies of the Road (Live 1971-72) (@256)
27 Jun 2008
(Review from progarchives.com)
While not perfect, this release offers a very correct-sounding of the “Island” album line-up of King Crimson.
Unsurprisingly, the track listing is mostly axed towards Island with touches into the first albums but rather sparsely. One of the biggest disappointments with this album is that the debut title track is only a 45 sec bluesy spoof, but a rare (and quite different than single or previous live version) of Groon makes this interesting.
The second disc is rather a curiosity of sorts but reserved for crimsonic monarchy absolutist since it has some 11 parts of Schizoid Man, mostly improvised parts. Interesting to a point, but rarely up for a regular spin in your deck unless you are a 21st Century Psychotic Man.
Line-up:
- Boz Burrell / bass & vocals
- Mel Collins / saxes, flute & mellotron
- Robert Fripp / guitar & mellotron
- Ian Wallace / drums
- Peter Sinfield / FOH sound & VCS3 on Volume One
Track List:
CD1
01. Pictures of a City – 8:46
02. The Letters – 4:42
03. Formentera Lady [Abridged] – 6:41
04. The Sailors Tale – 5:43
05. Cirkus – 7:58
06. Groon – 6:52
07. Get Thy Bearings – 8:33
08. 21st Century Schizoid Man – 8:57
09. In the Court of the Crimson King – 0:48
CD2
01. Schizoid Men I – 1:44
02. Schizoid Men II – 4:46
03. Schizoid Men III – 3:12
04. Schizoid Men IV – 5:15
05. Schizoid Men V – 6:22
06. Schizoid Men VI – 3:56
07. Schizoid Men VII – 5:13
08. Schizoid Men VIII – 3:18
09. Schizoid Men IX – 5:01
10. Schizoid Men X – 3:23
11. Schizoid Men XI – 11:42
Links in comments.
King Crimson – Lizard (1970) (@256)
11 Jun 2008
(Review from vintageprog.com, progarchives.com)
While still struggling (unsuccessfully) to keep a permanent line-up on the road, Fripp and Sinfield managed to keep KC busy on studio recording. Their constant (and at times conflictive) flow of creativity allowed them to bring out material for a third album, “Lizard”.
“Lizard” turned out to be their most ambitious early era work. The scores and arrangements are labyrinthine, which is to a large degree due to the heavy use of wind instruments and keyboards.
The album opens with the grandiose, mellotron-drenched “Circus” that leaves no doubt what band you are listening to, and a great way to open the record. “Indoor Games” is a lighter, almost pop-jazzy track with lots of good sax-work from Collins. Though the most original and interesting track on the first side is undoubtedly the quirky “Happy Family”. The arrangement on this track is extremely complex and chaotic, but the catchy melody of the song still makes it very structured all the way through. “Lady of the Dancing Water” is a short ballad that is a pleasant and nice song.
The 23-minute title-track remains King Crimson’s only sidelong suite. Jon Anderson makes a short guest-appearance here as he sings the melodic and harmonic opening theme of the piece. The rest of the suite is largely instrumental, and includes the beautiful and very jazzy “Bolero” that gets relieved by “The Battle of Glass Tears”. This part is early Crimson at their best and most typical, featuring heavy sax-riffs and lots of dramatic mellotron.
“Lizard” is an exciting album of strongly jazz-influenced symphonic progressive rock that never gets into fusion-territory, but instead creates its own sound and style.
Line-up:
- Robert Fripp / guitar, mellotron, electric keyboards & devices
- Mel Collins / flute & saxes
- Gordon Haskell / bass guitar & vocals
- Andy McCulloch / drums
- Peter Sinfield / words & pictures
with
- Robin Miller / oboe & cor anglais
- Mark Charig / cornet
- Nick Evans / trombone
- Keith Tippet / piano & electric piano
- Jon Anderson / vocals (5a)
Track List:
01. Cirkus (including Entry of the chameleons) (6:29)
02. Indoor games (5:39)
03. Happy family (4:25)
04. Lady of the dancing water (2:45)
05. Lizard (23:23)
a) Prince Rupert awakes
b) Bolero – The peacock’s tale
c) The battle of the glass tears
i) dawn song
ii) last skirmish
iii) Prince Rupert’s lament
d) Big top
Link in comments.
King Crimson – In the Wake of Poseidon (1970) (@256)
10 Jun 2008
(Review from vintageprog.com, wikipedia)
No matter how successful their debut was, King Crimson was a band close to a full break up in 1970. Ian McDonald and Michael Giles left to pursue a solo career. Greg Lake stayed long enough to complete the vocal-tracks for most of the songs of the new album before he went to join Emerson, Lake and Palmer.
Among the new members of the band were keyboardist Keith Tippett and the well-known saxophonist/flutist Mel Collins. Fripp’s another childhood friend, Gordon Haskell joined in to fill the void of Greg Lake — though he only sang on one track on their new album.
King Crimson’s second album is structurally and musically very similar to the debut, but that album was so good that we surely can take it a second time too! “Pictures of a City” is this album’s “21st Century Schizoid Man”, but with a funkier sax-riff and more float in the vocal-parts. The title-track is a really beautiful, mellotron-driven symphonic progressive rock track, and sounds like a cross of “Epitaph” and the title-track from the previous record. “Cadence and Cascade” is much in the same vein as “I Talk to the Wind” but the voice of new singer Gordon Haskell made it at least sound a little bit different.
The cheerful and jazzy “Cat Food” and the very sinister instrumental “The Devil’s Triangle” (based on “Mars” from Gustav Holt’s “The Planets”) are the only tracks where the band managed to do something that they already hadn’t done on the debut, and should be admired for just that.
Although the original of course is better, “In the Wake of Poseidon” is never the less among King Crimson’s best albums.
Line-up:
- Robert Fripp / guitar, mellotron, devices
- Greg Lake / vocals
- Michael Giles / drums
- Peter Giles / bass
- Keith Tippett / piano
- Mel Collins / saxes, flute
- Gordon Haskell / vocals (3)
- Peter Sinfield / words
Track List:
01. Peace – A Beginning – 0:50
02. Pictures Of A City – 8:02
03. Cadence And Cascade – 4:38
04. In The Wake Of Poseidon – 7:58
05. Peace – A Theme – 1:15
06. Cat Food – 4:54
07. The Devil’s Triangle (i. Merday Morn- ii. Hand Of Sceiron- iii. Garden Of Worm) – 11:36
08. Peace – An End – 1:53
Link in comments.
King Crimson – In the Court of the Crimson King (1969) (@256)
09 Jun 2008
(Review from wikipedia, vintageprog.com)
The initial “Giles, Giles and Fripp” band was changing, as their debut record had not been particularly successful. The first musician to be added to their new line-up was the multi-instrumentalist Ian McDonald on keyboards, reeds and woodwinds. McDonald had been writing songs with lyricist Peter Sinfield who also joined the new group. Fripp’s childhood friend, singer-guitarist Greg Lake, was recruited, and replaced Peter Giles on bass, also singing for the band. Shortly afterward they purchased a mellotron and began using it to create an original orchestral rock sound. The name King Crimson was coined by lyricist Peter Sinfield as a synonym for Beelzebub, prince of demons. According to Fripp, Beelzebub would be an anglicised form of the Arabic phrase “B’il Sabab”, meaning “the man with an aim”.
No serious progressive rock fan can be without a single King Crimson-album in his collection. While their output not always was the most even one, they were undoubtedly one of the most important and influential progressive rock bands ever. King Crimson’s membership has fluctuated considerably throughout their existence. Fripp, the only constant member of King Crimson, has arranged several distinct lineups, but has stated that he does not necessarily consider himself the band’s leader. He describes King Crimson as “a way of doing things” and notes that he never originally intended to be seen as the head of the group.
“In the Court of the Crimson King” is the definitive debut-album by a progressive rock band and it remains to most as King Crimson’s best album ever.
The legendary opener “21st Century Schizoid Man” is a heavy, complex, raw, angry and ultra energetic showcase of angry, sax-driven progressive rock. Greg Lake spits out the lyrics with a distorted effect on his voice to underline the aggression and anger in both the music and lyrics. Peter Sinfield’s lyrics may seems weird and hard to understand at first, but most people with a certain degree of fantasy will be able to understand most of his genius metaphors.
The rest of the record is of a much more mellow and symphonic kind, where the mellotron creates an often-sinister carpet of sound that perfectly fits the mood of the music and lyrics. “I Talk to the Wind” is actually one of the “brightest” moments here, with a pleasant and relaxed melody that is beautifully surrounded by the flute. “Epitaph” is far darker and features one of Sinfield’s best lyrics ever. Just the mellotron combined with Fripp’s mellow guitar-tones on the beginning is enough to make you shiver.
The fantastic title track is simply so beautiful and majestic that it can’t be described in words. Nobody had until then used the mellotron in a better, more powerful and symphonic way than this. Everything goes straight to heaven each time the chorus appears. Symphonic progressive rock can impossibly get any better than this.
“In the Court of the Crimson King” is one of progressive rock’s most magic moments.
Line-up:
- Robert Fripp / guitar
- Greg Lake / bass guitar, lead vocals
- Ian McDonald / reeds, woodwind, vibes, keyboards, mellotron, vocals
- Michael Giles / drums, percussion, vocals
- Peter Sinfield / words and illumination
Track List:
01. 21st Century Schizoid Man (including Mirrors) – 7:23
02. I Talk To The Wind – 6:06
03. Epitaph (including March For No Reason and Tomorrow And Tomorrow) – 8:48
04. Moonchild (including The Dream and The Illusion) – 12:12
05. The Court Of The Crimson King (including The Return Of The Fire Witch and The Dance Of The Puppets) – 9:23
Link in comments.
King Crimson – Islands (1971) (@256)
23 Sep 2007
(Review from progarchives.com)
‘Islands’, released in 1971 and was King Crimson’s fourth studio record. The band has changed a lot in the meantime and left only Robert Fripp and Pete Sinfield as original members, who signed all the tracks, but the two instrumentals together. From the more symphonic outfit of the beginnigs, the band moved into jazz rock with Mel Collins on sax, Boz Borrell on bass and lead vocals and Ian Wallace on drums, plus some guest artists from the jazz-rock field like Keith Tippet and Marc Charig. The overall athmosphere is the typical Frippish one of tension, threat and danger which he supports all through the record with his trashing biting guitar play, alternating with some sweeter passages.
‘Formentera Lady’ starts of slowly with a bowed bass, flute, piano and chimes and a first beautiful theme, alternating with a second theme over a funky ostinato bass line, that will later on be elaborated by guitar, mellotron, a sax solo and soprano vocallizes blending into….
‘Sailor’s Tale’, a syncopated up-tempo jazz instrumental with flute and sax , giving way to a slower heavy funk rhythm change over which Fripp plays thrashing razor blade chords and a threatening mellotron.
‘The Letters’ starts with a delicate guitar, a mournful melody, before the brass section and distorted guitar come crashing in, followed by a baritone sax solo and a second part with angry desperate vocals ponctuated by the guitar and an A Capella outro.
‘Ladies Of The Road’ starts a as a slow blues with guitar and tambourine, followed by a howling tenor sax and heavy drums until the chorus gives place to a Beatles like Barbershop vocal arrangement and a sax solo.
‘Gulls’ is a classical elegy for strings and oboe, a sweet melody played by the oboe over pizzicato strings.
‘Islands’ the title song presents a perfect balance of lyrics and music a masterpice of Fripp and Sinfield. A beautiful melody accompagnated by piano and flute and leaving place to a second theme played by cornet and a harmonium and then by mellotron and oboe. All the second half of the long track functions as a long outro over a distant and discret rhythm a cornet solo, harmonium and mellotron chords fading slowly out.
This vastly underrated album of King Crimson’s discography, is a great fusion of elements from their previous two albums mixing the lyrical style of “In the Wake of Poseidon”, and the orchestration and improvisation found on “Lizard”.
Line-up:
- Robert Fripp / guitar, mellotron, pedal harmonium and sundry implements
- Mel Collins / flute, bass flute, saxes and vocals
- Boz Burrell / bass guitar, lead vocals and choreography
- Ian Wallace / drums, percussion and vocals
- Peter Sinfield / words, sounds and visions
with:
- Keith Tippet / piano
- Paulina Lucas / soprano
- Robin Miller / oboe
- Mark Charig / cornet
- Harry Miller / string bass
Track List:
01. Formentera Lady (10:14)
02. Sailor’s Tale (7:21)
03. The Letters (4:26)
04. Ladies Of The Road (5:28)
05. Prelude: Song Of The Gulls (4:14)
06. Islands (11:51)
Link in comments.
