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Posts tagged Dave Brock
Hawkwind – At The BBC (1972) (@256)
16 Aug 2010
(Review from hmv.com)
Hawkwind At The BBC 1972 captures the band just after the surprise of the UK no. 3 hit single in July with the classic ‘Silver Machine’, and before their live experience ‘Space Ritual’ which was recorded on tour later in the year.
Whilst the bulk of this double release is made up of the live set recorded for the BBC In Concert programme, it opens with a previously unreleased session recorded for Johnnie Walker featuring a shortened version of the Doremi Fasol Latido album classic Brainstorm and a version of the then hit single Silver Machine, featuring Lemmy on vocals as per the single.
The In Concert itself, a hypnotic continuous performance, is presented in both mono and stereo versions. The mono version was previously released by Windsong in 1991 and has been remastered and re-indexed to include all of the pieces originally performed, and the concert itself in its entirety.
The stereo version has long been in the domain of the bootleggers as an off-air recording known the as “Broadcast” version. This mix was in fact distributed by the BBC for broadcast internationally and features an edited Brainstorm, missing approximately 4 minutes from the front of the song, a shorter Welcome To The Future and Electronic No. 1 (not indexed on the previous CD release), but longer a Countdown introduction. Officially released for the first time, apart from being in stereo, the sound quality is superior to the mono version and the mix is generally more exciting.
Line-up:
- Dave Brock / guitar, vocals
- Nik Turner / saxophone, flute, vocals
- Lemmy / bass guitar, vocals
- Dik Mik Davies / Synthesizer
- Del Dettmar / Synthesizer
- Simon King / drums
Track List:
CD1
01. Brainstorm – 5:29
02. Silver Machine – 3:50
03. Countdown (mono mix) – 0:56
04. Born To Go (mono mix) – 11:26
05. The Black Corridor (mono mix) – 2:24
06. Seven By Seven (mono mix) – 7:06
07. Brainstorm (mono mix) – 10:17
08. Electronic No. 1 (mono mix) – 2:42
09. Master Of The Universe (mono mix) – 7:30
10. Paranoia (mono mix) – 5:56
11. Earth Calling (mono mix) – 3:03
12. Silver Machine (mono mix) – 5:10
13. Welcome To The Future (mono mix) – 3:10
CD2
01. Countdown (stereo mix) – 1:08
02. Born To Go (stereo mix) – 11:22
03. The Black Corridor (stereo mix) – 2:26
04. Seven By Seven (stereo mix) – 7:07
05. Brainstorm (stereo mix) – 6:14
06. Electronic No. 1 (stereo mix) – 2:04
07. Master Of The Universe (stereo mix) – 7:31
08. Paranoia (stereo mix) – 5:56
09. Earth Calling (stereo mix) – 3:03
10. Silver Machine (stereo mix) – 5:11
11. Welcome To The Future (stereo mix) – 2:53
Link in comments.
Star One – Space Metal (2002) (@256)
23 Jul 2010
(Review from progarchives.com)
Star One is a straightforward and hard-edge metal side-project which Arjen Lucassen created as a reaction to the soft and atmospheric Ambeon release a year earlier. Although Star One was initially intended to be a single-singer project, it quickly transformed into a multi-singer project featuring stellar singers.
The album title tells you all you need to know. The music is loud and powerful, whilst also being extremely melodic. At times, such as on “Songs of the ocean” and “Intergalactic space crusaders”, it verges on becoming pop. The Sweet in their heyday could well have taken the latter to the top of the charts! The songs are generally less complex than those of Ayreon, but there’s still much to enjoy, with tracks like “The eye of Ra” and “Starchild” being developed into longer, slightly more progressive pieces.
The production and performance are excellent, as you would expect, with the usual array of guest vocalists and musicians. The album was inspired by “films that take place entirely in space”, with the vocalists performing dialogue “roles” on each track. Some may feel the space theme is wearing a bit thin these days, but it appears to be where Arjen finds the inspiration to create some of his best works.
Nearly all the songs are based on science fiction movies situated in space. The name Star One come comes from a 70s cult British television series named Blakes 7 in which an artificial planet called Star One is featured. The song Intergalactic Space Crusaders is also based on this series.
This edition of the album includes a bonus disc. This features additional tracks, re-workings and cover versions. The version of “Space Oddity” is interesting, somewhat heavier and darker than the original, whilst retaining strong echoes of Bowie’s vocals. Dave Brock of Hawkwind makes a personal appearance on vocals on the “Hawkwind medley”, a 9 minute run through of some of that bands better know tracks. The music of Hawkwind does not really lend itself to the medley format, thus while the track is enjoyable, it might have been better to simply cover a couple of their tracks in full.
For those who enjoy a harder edge to their music, while still wishing to hear strong melodies, and solid performances this album fits the bill very nicely.
Line-up:
- Arjen Anthony Lucassen / guitars, bass, keyboards
- Ed Warby / drums
- Russell Allen / vocals
- Damian Wilson / vocals
- Dan Swano / vocals
- Floor Jansen / vocals
with
- Jens Johansson / keyboards
- Erik Norlander / keyboards
- Gary Wehrkamp / guitar
- Robert Soeterboek / back vocals
- Dave Brock / vocals (11)
Track List:
CD1
01. Lift-off – 1:13
02. Set Your Controls – 6:01
03. High Moon – 5:36
04. Songs of the Ocean – 5:23
05. Master of Darkness – 5:14
06. The Eye of Ra – 7:34
07. Sandrider – 5:31
08. Perfect Survivor – 4:46
09. Intergalactic Space Crusaders – 5:22
10. Starchild – 9:04
CD2
01. Hawkwind Medley – 9:46
02. Spaced Out – 4:53
03. Inseparable Enemies – 4:15
04. Space Oddity [Bowie] – 4:59
05. Starchild [Mixed in Dolby Pro-Logic] – 9:31
06. Spaced Out [Alternate Version] – 4:55
07. Intergalactic Laxative – 2:32
Link in comments.
Hawkwind – Live at The Chicago Auditorium (1974) (@320)
04 Mar 2008
Thanks to Zen Archer for his contribution.
(Review from amazon)
Hawkwind fans have long endured poorly recorded early live sets (endless re-packagings of Text of a Festival and Bring Me the Head of Yuri Gagarin), unimaginative alternate versions and re-mixes from the definitive tour (Space Ritual Vol 2, Ridicule) and numerous later era official live releases that are often very good, but always very different to the classic era of the band (Palace Springs, Live Chronicles, Live ’79), all in the pursuit of the heady first rush of the Space Ritual.
Live at the Chicago Auditorium (also known as the The 1999 Party), which was actually recorded in March 21st of 1974 might be considered as in the same league as Space Ritual Alive.
For a start, the band line-up remains largely unchanged from the earlier tour, with Lemmy contributing his trademark vocals, although Calvert has been replaced by Michael Moorcock as poet in residence. Several key elements of the actual Space Ritual remain (The Awakening, Sonic Attack, Welcome to the Future), however it is no mistake that the title features the word ‘party’, and while Space Ritual Alive fully captured the reverential awe of that particular event, the 1999 Party is a wonderful document of the band at their most playful, with even Sonic Attack rendered slapstick by the addition of ‘boom-tish’ drum fills to punctuate the dire warnings.
Whereas the “Space Ritual” tour had largely utilised songs from the “Doremi Fasol Latido” album to fill the musical gaps in Calvert’s original vision, this live album showcases tunes from the “Hall of the Mountain Grill” and features the first live version of D-Rider on record anywhere, while “You’d Better Believe It and Paradox”, which were actually live versions when first issued on the “Hall of the Mountain Grill”, get their first outing on an official concert album. You get yet another version of Brainstorm, albeit a particularly good one, the first live recording of single “Brainbox Pollution”, which is an absolute gem, and while this set was purged of all other Doremi material, this album paradoxically features the first live recording of Lemmy’s menacing The Watcher – and what an incredible bass-driven rendering it is!
Lemmy would be busted for possession of amphetamines on the next North American tour and sacked from the band, dancer Miss Stacia and kinky saxophonist Nik Turner both left during the next couple of years, and although Robert Calvert later returned in an expanded role as genuine frontman of the band throughout the second half of the seventies, as the band surprisingly trailblazed their way through the landscape of punk/new wave, Hawkwind would never again be the same band that they were during ’73/’74 – if you were weaned on Space Ritual Alive, then Hawkwind Live at the Chicago Auditorium (The 1999 Party) is the alternate source of the sustenance to which you have become accustomed.
Line-up:
* Dave Brock – guitar, keyboards, vocals
* Nik Turner – saxophone, flute, vocals
* Lemmy – bass guitar, vocals
* Del Dettmar – Synthesizer
* Simon House – violin, keyboards
* Simon King – drums
Track List:
CD1
01. Intro / Standing On The Edge – 4:16
02. Brainbox Pollution – 7:52
03. It’s So Easy – 11:02
04. You Know You’re Only Dreaming – 4:43
05. Veterans of a Thousand Psychic Wars – 2:21
06. Brainstorm – 9:19
07. Seven By Seven – 9:26
CD2
01. The Watcher – 6:40
02. The Awakening – 2:40
03. Paradox – 5:43
04. You’d Better Believe It – 8:09
05. Psychedelic Warlords – 3:47
06. D-Rider – 7:46
07. Sonic Attack – 4:30
08. Master Of The Universe – 6:57
09. Welcome To The Future – 2:32
Links in comments.
Hawkwind – PXR5 (1979) (@320)
20 Feb 2008
Thanks to Mr Miyagi for his contribution.
(Review from progarchives.com)
The late ’70s were a lean time for Hawkwind, bickerings over name rights, never having really recovered from the loss of Lemmy Kilminster or the departure of Nik Turner – and despite their growing army of fans from the punk scene, they found their stock generally falling; which is a surprise, given the quality of this album.
The songs, on the whole are generally more mainstream rock than fans had been used to up to this point. The album sort of picks up where “Quark Strangeness and Charm” left off and if you liked that album you should have no problem getting into PXR5.
Lyrically, Calvert trims the fat and comes up with stunning poetry, sewn through with satire regarding everything from the space race (Uncle Sam’s on Mars) to urban decline and alienation (High Rise) – the sci-fi is still there, of course, with ‘Robot’ parodying Asimov’s 3 laws of robotics.
Overall, this is a tighter, rockier Hawkwind, and the final album to feature Robert Calvert in the driving seat.
Line-up:
- Dave Brock / vocals (4-5-8), guitar, bass, synthesizers
- Robert Calvert / vocals (1-2-3-6-7)
- Simon House / keyboards (2-3-6-7-8), backing vocals (2-7), violin (6-8)
- Simon King / drums
- Adrian Shaw / bass, backing vocals (2-3-6-7-8)
Track List:
01. Death Trap
02. Jack of Shadows
03. Uncle Sam’s on Mars
04. Infinity
05. Life Form
06. Robot
07. High Rise
08. PXR5
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Hawkwind – Space Rock From London (1972) (@192)
19 Mar 2007
(Info from starfarer.net)
This CD probably exists for one reason, and that is to satisfy the seemingly endless appetite among Hawkwind fans for material from their ‘Space Ritual’ period. It was recorded live at the Paris Theatre (London) on 28th September 1972 for subsequent radio broadcast on the “In Concert” series, on 14th October 1972. This was after Hawkwind’s hit single success with Silver Machine but before the actual Space Ritual tour.
Line-up:
- Dave Brock – guitar, vocals
- Nik Turner – saxophone, flute, vocals
- Lemmy Kilmister – bass guitar, vocals
- Dik Mik Davies – Synthesizer
- Del Dettmar – Synthesizer
- Simon King – drums
Track List:
01 – Born To Go
02 – Seven By Seven
03 – Brainstorm
04 – Master Of The Universe
05 – Paranoia
06 – Silver Machine
Link in comments.
Hawkwind – Space Ritual (1973) (@256)
18 Mar 2007
(Review from vintageprog.com)
Late in ’72 Hawkwind was joined by the “space-poet” Robert Calvert and went out on the road with their legendary “Space Ritual” show, which supposedly featured a light show that was very impressive for its time. The tour resulted in this double live-album that is Hawkwind’s best and most important recording from the earliest phase in their career (1970-73). And it’s not hard to understand why. For nearly 90 minutes you get a full dose of their classic, noisy and raw space-rock performed with an enormous energy and intensity. With the exception of “The Watcher”, you get all the tracks from “Doremi Fasol Latido”. From “In Search of Space” you get a real high-energy version of “Master of the Universe”. And you also get a bunch of tracks they never recorded in the studio, including Hawkwind classics such as “Born to Go”, “Orgone Accumulator” and “Seven by Seven”. All the tracks are tied together by some short interludes, usually some weird poems by Calvert where space (surprise, surprise) is the main theme. The funniest and best known of these is probably “Sonic Attack”, instructions for how to behave “in case of sonic attack!”. And the band also plays some of the tracks a little bit different from the studio recordings, like the electric versions of “Down Through the Night” and “Space is Deep”. Overall, “Space Ritual” has all the trademarks of a classic live-album: good sound quality, inspired and energetic playing that threatens to kick the ass of the studio-versions and (thank god!) NO drum-solos! Essential stuff for any space-rock fan, and the band still had their best studio-albums ahead of them.
Line-up:
- Dave Brock / vocals, guitars
- Robert Calvert / poetry (poetry by Michael Moorcock)
- Del Dettmar / synthesizers
- Dik Mik / audio generator, electronics
- Lemmy Killmister / bass, vocals
- Simon King / drums
- Nik Turner / vocals, sax, flute
Track List:
CD 1:
01. Earth Calling (Live) (1:46)
02. Born To Go (Live) (9:56)
03. Down Through The Night (Live) (6:16)
04. The Awakening (Live) (1:32)
05. Lord Of The Light (Live) (7:21)
06. Black Corridor (Live) (1:51)
07. Space Is Deep (Live) (8:13)
08. Electronic No 1 (Live) (2:26)
09. Orgone Accumulator (Live) (9:59)
10. Upside Down (Live) (2:43)
11. 10 Seconds Of Forever (Live) (2:05)
12. Brainstorm (Live) (9:20)
CD 2:
01. 7 By 7 (Live) (6:13)
02. Sonic Attack (Live) (2:54)
03. Time We Left This World Today (Live) (5:47)
04. Master Of The Universe (Live) (7:37)
05. Welcome To The Future (Live) (2:03)
06. You Shouldn’t Do That (Live) (Bonus) (6:55)
07. Master Of The Universe (Bonus) (7:26)
08. Born To Go (Live) (Bonus) (5:04)
Links in comments.
Hawkwind – In Search of Space (1971) (@256)
16 Mar 2007
(Review from vintageprog.com)
A tremendous improvement over the debut, and “In Search of Space” is generally regarded as the first classic Hawkwind-release. The band had pretty much found their signature sound of hard rocking guitar-riffs built around lengthy, spacey excursions stuffed with weird electronic sounds and Turner’s unique and atmospheric saxophone and flute-playing. The album included the first classic Hawkwind-riff and anthem in “Masters of the Universe”. The 15-minute opener “You Shouldn’t Do That” became another classic and stage-favourite. The band still messed around with some quite free-floating improvisations in “You Know You’re Only Dreaming” and “Adjust Me” but both were of a much more consistent kind than anything on the debut-album. Even the two acoustic tracks “We Took the Wrong Step Years Ago” and “Children of the Sun” has a great spacey atmosphere that will make your mind float. A very important album in the band’s history.
Line-up:
- Dave Anderson / bass, acoustic & electric guitars
- Dave Brock / vocals, acoustic & electric guitars, audio generator
- Del Dettmar / synthesizers
- Dik Mik / audio generator
- Terry Ollis / drums, percussion
- Nik Turner / alto sax, flute, audio generator, vocals
Track List:
01. You Shouldn’t Do That (15:43)
02. You Know You’re Only Dreaming (6:33)
03. Master Of The Universe (6:15)
04. We Took The Wrong Step Years Ago (4:48)
05. Adjust Me (5:45)
06. Children Of The Sun (3:13)
07. Seven By Seven (Bonus) (5:21)
08. Silver Machine (Bonus) (4:39)
09. Born To Go (Bonus) (5:05)
Links in comments.
Hawkwind (as Hawklords) – 25 Years On (1978) (@256)
15 Mar 2007
(Review by Steve Gett, info from wikipedia)
Hawklords is a 1978 studio by Hawkwind released under the name Hawklords for legal reasons as there was a dispute over ownership of the name “Hawkwind”. It was originally titled 25 Years On and the first 25000 were pressed as this until the band decided to simply call it Hawklords. Subsequent re-releases have reverted the the name “25 Years On” and the band also now use this name on their web site.
Hawkwind had self imploded on a USA tour earlier in the year leaving only Robert Calvert, Dave Brock and Simon King to embark on this project. They were joined by Harvey Bainbridge who had played bass in Devon group Ark who in turn had performed with Calvert and Brock as the Sonic Assassins, and by keyboardist Steve Swindells who had been in Pilot (band). During the Devon recording session King returned home to London and was replaced by Martin Griffin (also from Ark), but King subsequently returned giving the band two drummers. Simon House had left the earlier band to join David Bowie but contributed violin to the sessions, as did noted British jazz trumpeter Henry Lowther. Road manager Les McClure also sneaked a performance in.
The music on the new Hawklords’ album is less bizarre than the cover suggests, and at times veers towards commercialism with a capital “C”. ‘Psi Power’ opens the first side, with an acoustic start and Bob Calvert coming on like an amalgam of Peter Hammill and Bowie. Soon it becomes electric, filled by harmony vocals and is so catchy that it’s good – a potentially successful single. After a distorted vocal ending comes ‘Free Fall’, commencing with synthesizer from Dave Brock. ‘Automaton’ is weird but unfortunately not wonderful and the voices breaking through a synthesized frenzy of sound is just so much noise. However before it finishes, ’25 Years’ drives in.
If you hadn’t heard of Hawkwind, it could easily be imagined that Hawklords are a new wave band. Throughout, this album has a very fresh and vital approach. ‘Flying Doctor’ mustn’t be taken too seriously, with those Aussie vocals and distant noises from the ‘bush’. It also features the only real guitar solo from Dave Brock and terminates with the buzz of an aircraft flying over the outback.
The final three numbers, which mark the appearances of Simon King and Simon House on each, are the high-spots. First of all there is ‘The Only Ones’, with its poppy overtones and then ‘(Only) The Dreams Of The Cold War Kid’. This is a Calvert composition and is undoubtedly the finest on the whole album. Finally, ‘The Age Of The Micro Man’ heralds further synthesizer work, on a slow-paced song of very full sound.
Line-up:
* Robert Calvert – vocals
* Dave Brock – guitar, keyboards, vocals
* Harvey Bainbridge – bass guitar, vocals
* Steve Swindells – keyboards
* Simon King – drums (tracks 4,7,8), Congas (track 6)
* Martin Griffin – drums (tracks 1,2,5,6)
with
* Simon House – violin (tracks 6,7,8)
* Henry Lowther – trumpet (track 1)
* Les McClure – whisper voice (track 4)
Track List:
01. Psi Power (Calvert/Brock) 6:06
02. Free Fall (Calvert/Bainbridge) 5:13
03. Automoton (Calvert/Brock) 1:13
04. 25 Years (Brock) 4:31
05. Flying Doctor (Calvert/Brock) 5:38
06. The Only Ones (Calvert/Brock) 4:14
07. (Only) The Dead Dreams Of The Cold War Kid (Calvert) 3:55
08. The Age Of The Micro Man (Calvert/Brock) 3:31
Link in comments.
Hawkwind – Quark Strangeness and Charm (1977) (@256)
14 Mar 2007
(Review from vintageprog.com)
Hawkwind went through a series of personnel-changes in the last half of the 70′s. Nik Turner was unfortunately one of those who left, stripping the band’s sound for his distinctive sax/flute-playing. But the first album without him was a return to form after the slightly disappointing “Astounding Sounds, Amazing Music”. “Quark Strangeness and Charm” was stuffed with strong tunes; several of them are classic Hawkwind. “Spirit of the Age” and the superb post-nuclear war tale “Damnation Alley” were both great examples of Hawkwind’s energetic, yet atmospheric space rock. The title-track is a simple but irresistible catchy rocker, while the ballad “Fable of a Failed Race” is Hawkwind from their most beautiful, melodic and atmospheric side. House’s violin on the opening of the eastern-influenced “Hassan I Sahba” reminds me a bit of early East of Eden, and that’s not a bad thing at all. “The Forge of Vulcan” is a hypnotic instrumental number that was far more creative and original than any of the three instrumentals from the previous album. “Days of the Underground” is a typical mid-tempo Hawkwind track, with a quirky melody and lots of spacey synths. This one glides right into the short and heavy instrumental “Iron Dream” that closes the album in a nice way. “Quark Strangeness and Charm” proved that Hawkwind could deliver good albums even without Lemmy and Turner.
Line-up:
- Dave Brock / vocals, synthesizer, guitar, sound F/X
- Robert Calvert / voices, percussion
- Simon House / keyboards, violin, anvil, backing vocals
- Simon King / drums, percussion
- Adrian Shaw / bass guitar, backing vocals
Track List:
01. Spirit of the age
02. Damnation alley
03. Fable of a failed race
04. Quark strangeness and charm
05. Hassan I Sahba
06. The forge of Vulcan
07. Days of the underground
08. Iron dream
Link in comments.
Hawkwind – Astounding Sounds, Amazing Music (1976) (@256)
13 Mar 2007
(Review from vintageprog.com)
Lemmy had been fired from the band on their US-tour in 1975 after being jailed for possessing drugs, and Paul Rudolph replaced him. The band would from then have a rather unstable line-up with many personnel-changes over the years. Robert Calvert had also joined the band on a permanent basis and he took over most of the vocals on “Astounding Sounds, Amazing Music” that also was their first album for Charisma. But despite the promising title, the album wasn’t on the same level as “Hall of the Mountain Grill” and “Warrior on the Edge of Time” and was probably their weakest release since the debut-album. The three instrumentals on the record go nowhere, and sounds all like some unfinished leftovers. “City of Lagoons” sounds even like a Gong-clone. The choice for a single was yet again a simple and rocking tune, this time called “Kerb Crawler”. One of the most interesting tracks here is “Kadu Flyer”. It starts as a tasty and melodic tune that gradually becomes more and more eastern-influenced. The opener “Refer Madness” and “Steppenwolf” are both decent tunes, but nothing special or outstanding. “Astounding Sounds, Amazing Music” can unfortunately not be counted among with Hawkwind’s best albums.
Line-up:
- Dave Brock / lead vocals, guitars, synthesizers
- Robert Calvert / vocals
- Simon House / keyboards, violin
- Alan Powell / drums
- Paul Rudolph / bass
- Nik Turner / sax, flute, vocals
Track List:
01. Reefer madness (6:03)
02. Steppenwolf (9:46)
03. City of lagoons (5:08)
04. The aubergine that ate Rangoon (3:33)
05. Kerb crawler (3:45)
06. Katmandu flyer (5:29)
07. Chronoglide skyway (4:40)
08. Dream Of Isis
09. Back On The Street
10. Honky Dorky
Link in comments.
Hawkwind – Warrior on the Edge of Time (1975) (@256)
12 Mar 2007
(Review from vintageprog.com)
The band’s 5th studio-release turned out to be their most ambitious album ever, and the cover that folded out into a shield was just the first clue. They hired sci-fi writer Mike Moorcock to help with some of the lyrical concept, and he also read several poems in between the tracks. Never before or after had Hawkwind (or any other band for that matter) better blended old fashioned fantasy-elements with futuristic sci-fi and space-influences. And the material, and not at least the arrangements was some of the band’s best ever. The two opening tracks “Assault and Battery” and “The Golden Void” floats into each other, and next to “D-Rider” these are Hawkwind’s most majestic and biggest sounding tracks ever. The arrangements here have to be heard to be believed. Tons of Mellotron, synths and distorted sax and flute create a very unique sound that actually sounded like no other band. The guitar is toned unusually much down here, but it would be more dominant in the sound later on the album. After a short poem we’re then taken straight away to space in the hypnotic and dreamy instrumental “Opa-Loka”. “The Demented Man” is another of those lovely acoustic Hawkwind-tunes where the band really managed to keep the obligatory space-feel. The energetic “Magnu” was the first track on the album to feature a quite heavy riff, but it was actually more dominated by Simon House’s excellent violin-playing. This could very well be his best performance on a Hawkwind-album. Then we’re getting more poems by Moorcock and another spacey, synth-drenched instrumental in “Spiral Galaxy 28948″. The album closes with “Kings of Speed” and this catchy and straight-forward hard-rocker was chosen as the single from the album. Dave Brock himself regards “Warrior on the Edge of Time” as the band’s crowning achievement, and most progressive rock fans rates it next to “Hall of the Mountain Grill” as Hawkwind’s best album.
Line-up:
- Dave Brock / guitar, synthesizer, bass (4), vocals (1, 2, 5, 6 & 11)
- Nik Turner / Tenor and Soprano saxophone, flute, vocals (7 & 10)
- Lemmy / bass guitar
- Simon King / drums & percussion
- Allan Powell / drums & percussion
- Mike Moorcock / vocal (3 & 9)
Track List:
01. Assault & Battery
02. The Golden Void
03. The wizard Blew His Horn
04. Opa-loka
05. The Demented Nan
06. Magnu
07. Standing At The Edge
08. Spiral Galaxy 28948
09. Warriors
10. Dying Seas
11. Kings of Speed
12. Motorhead (Bonus)
Link in comments.
Hawkwind – Hall of the Mountain Grill (1974) (@256)
11 Mar 2007
(Review from vintageprog.com)
Hawkwind was joined by violinist Simon House (ex-High Tide) on their 5th album. Some of the heaviest riffs were toned down a bit in favour of much more majestic and symphonic soundscapes dominated by organ, synths, Mellotron, violin and choir. This can be heard especially well on the beautiful instrumental “Wind of Change” and the fantastic, grandiose and very atmospheric “D-Rider”. The production and arrangements of the latter have to be some of the biggest sounding and most spacey ever. But the band could still rock hard and energetic on “You’d Better Believe It” and the best song Lemmy ever wrote for the band: “Lost Johnny”. The best-known track from the album, “Psychedelic Warlords (Disappear in Smoke)” and “Paradox” fused the old riff-style with their newfound symphonic sound in a very striking way. And in between all these tracks are also some short interludes like “Goat Willow” and the title-track. “Hall of the Mountain Grill” is a masterpiece of symphonic space-rock.
Line-up:
- Dave Brock / vocals, acoustic & electric guitars, organ synthesizers
- Del Dettmar / keyboards, kalimba
- Simon House / keyboards, Mellotron, backing vocals
- Lemmy Kilminster / bass, vocals, lead & rhythm guitars (7)
- Simon King / drums, percussion
- Nik Turner / sax, oboe, flute, vocals
Track List:
01. The Psychedelic Warlords (Disappear in Smoke) — 6:50
02. Wind of Change (5:08)
03. D-Rider (6:14)
04. Web Weaver (3:15)
05. You’d Better Believe It (7:13)
06. Hall of the Mountain Grill (2:14)
07. Lost Johnny (3:30)
08. Goat Willow (1:37)
09. Paradox (5:35)
Link in comments.
Hawkwind – Live Chronicles (1985) (@256)
11 Feb 2007
(Review from amazon.co.uk)
This album sticks two fingers up at anyone who has ever slagged Hawkwind off. Sure, they have had their moments, but this proves they can be a force to be reckoned with. Recorded on the Black Sword tour of ’85, this album follows on nicely from the studio concept album about the adventures of Elric of Melnibone, a pale hero in a fantasy world created by Michael Moorcock. Moorcock was a collaberator with Hawkwind since the early days and it’s good to see the bands admiration of the author manifesting itself in the releases they had in ’84 & ’85. Live Chronicles allows you an insight to the excitement and extravagance of their live show at this time. The pace of the album is fast and heavy but well played and well produced. Hi-lights are ‘Dragons and fables’ ‘Masters of the universe’ and ‘Magnu’ Huw Lloyd Langtons guitar playing is fantastic and unmistakable. Live albums can be hit and miss, and lets be honest although Hawkwind are a great and mysterious band, their recordings were often lacking in the studio never mind on stage. This is a pleasing exception and should be heard by not only Hawkwind fans but any sceptic who never embraced the band. This may change your mind.
Line-up:
- Dave Brock / vocals, synthesizers, guitar, keyboards
- Harvey Bainbridge / keyboards, synthesizers, vocals
- Alan Davey / bass, backing vocals
- Huw Lloyd-Langton / lead guitar, vocals
- Danny Thompson / drums
Track List:
01 – Song Of The Swords
02 – Dragons And Fables
03 – Narration
04 – The Sea King
05 – Angels Of Death
06 – Shade Gate
07 – Rocky Paths
08 – Narration
09 – The Pulsing Cavern
10 – Master Of The Universe
11 – Dreaming City
12 – Choose Your Masques
13 – Fight Sequence
14 – Needle Gun
15 – Zarozinia
16 – Lords Of Chaos
17 – The Dark Lords
18 – Moonglum
19 – Elric The Enchanter
20 – Conjuration of Magnu
21 – Magnu
22 – Dust Of Time
23 – Horn Of Fate
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Hawkwind – Hawkwind (1970) (@192)
26 Dec 2006
(Review from progarchives.com)
Grossly underrated debut by one of the big name space rock acts. This is the album with the original recording lineup (Lemmy wasn’t here yet, for one thing, and Dik Mik was still messing with sound generators rather than synthesizers). Huw Lloyd-Langton (pretty Welsh-sounding name) play additional guitar. What’s strange about him is he left after this album only to return in the 1980s and play on many of their albums of that decade (“Levitation”, “Sonic Attack”, “The Church of Hawkwind”, “The Chronicle of the Black Sword”, “The Xenon Codex”).
The album starts off with the blues-y “Hurry On Sundown”, complete with harmonica. This song comes to prove that Dave Brock had previous experience playing in blues bands. After that you get lots of and lots of simply mindblowingly intense guitar jams and psychedelic effects. I can’t see why this album gets slammed on, because the one thing I really like are the jams. The album then closes with “Mirror of Illusion”, the only other vocal cut on this album, which closes off this often maligned album. To me, I enjoy this album a lot because it has that underground psych sound I like so much (even Tangerine Dream was doing something similar on their Electronic Meditation, it too often not too respected by their fans). I don’t know how to recommend this album, but I think it’s incredible regardless what has been said!
Line-up:
- Dave Brock / vocals, acoustic guitars, harmonica, percussion
- John A. Harrison / bass
- Huw Lloyd Langton / lead guitar
- Terry Ollis / drums
- Nik Turner / alto sax, vocals, percussion
- DikMik / electronics
Track List:
01. Hurry On Sundown (4:50)
02. The Reason Is? (3:30)
03. Be Yourself (8:09)
04. Paranoia Part 1 (1:04)
05. Paranoia Part 2 (4:11)
06. Seeing It As You Really Are (10:43)
07. Mirror Of Illusion (6:58)
08. Bring It On Home (Bonus) (3:16)
09. Hurry On Sundown (Bonus) (5:02)
10. Kiss Of The Velvet Whip (Bonus) (5:25)
11. Cymbaline (Bonus) (4:04)
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