Freedom to Music
Posts tagged Agitation Free
Agitation Free – River Of Return (1999) (@256)
29 May 2010
(Review from progarchives.com)
The reunion album of Agitation Free is quite fine and worthy of them. Most of the core members are in in fine form and many guest provide the world-music instruments. All of the tracks are of very good standard, maybe not of the impossibly high adventurous type of the early 70s, but manage to resemble what a fan might hope for such an album: honest , worthy and artisticly sound.
Most tracks will remind you of the good old days but without any nostalgic feelings that might alter your judgment. The adding of a sax player (he obviously is very influenced by Supertramp’s Helliwell) gives Lutjens and Ullbrich some space to breathe.
Line-up:
- Lutz “Luul” Ulbrich / guitar, keyboards
- Gustl Lutjens / guitar, keyboards
- Burghard Rausch / drums
- Johannes “Alto” Pappert / saxophone
- Michael “Fame” Gunther / bass, keybopards
Guest musicians:
- Chris Dehler / overtonevoice, Didgeridoo
- Koma / Bagpipe
- Minas Saluyan / percussion
- Bernard “Potsch” Potschka / guitar, Mandoline, Udu
Track List:
01. River Of Return – 8:24
02. 2 part 2 – 5:45
03. Fame’s Mood – 4:09
04. Susie Sells Seashells At The Seashore – 10:01
05. The Obscure Carousel – 5:16
06. Nomads – 7:06
07. Das Kleine Uhr Werk – 5:04
08. 177 Spectacular Sunrises – 13:08
09. Keep On – 3:56
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Agitation Free – Other Sides of (1974) (@256)
28 May 2010
(Review from progarchives.com)
This posthumous release is actually two core members playing all sorts of fusion jazz with invited guests, rather than an actual Agitation Free album.
The sound is more akin to second period Doldinger’s Passport.
Line-up:
- Michael “Fame” Gunther / bass
- Gustav Lutjens / guitar, vocals
- Mickie Duwe / vocals
- Harald Grobkopf / drums
- Dietmar Burmeister / drums
- Jochen Bauer / drums
- Konstantin Bommarius / drums, percussion
- Manfred Opitz / keyboards, vocals
- Christian “Bino” Brero / piano
- Bernd Gruber / keyboards
- Klaus “Maus” Henrichs / saxophone
- Lou Blackburn / trombone
Track List:
01. Atlantic overcrossing – 5:34
02. Abulafia – 6:17
03. 6th floor – 5:11
04. Deliverance – 4:23
05. Latino Catherine – 3:36
06. Get it out – 4:21
07. Offstage – 2:46
08. Song fur einen Proletariersohn Teil 1 – 5:38
09. Song fur einen Proletariersohn Teil 2 – 2:54
10. Song fur einen Proletariersohn Teil 3 – 1:35
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Agitation Free – Fragments (Live 1974) (@256)
27 May 2010
(Review from progarchives.com)
Recorded live in 1974, here the band plays in a psyche jam style with excellent guitar, as usual. The music can be described as a cross of Pink Floyd and Grateful Dead for the acid guitar sound. But there’s also a more jazzy direction in “Fragments”, thanks to keyboards. “Fragments” has been also compared to Santana, mainly because of percussions.
The summit is reached with the piece “We Are Men” which begins with excellent drum and aerial keyboard layers, contributing to this floating, almost jazz rock feel, but the psychedelic guitar parts and the space rock developments reminds that it’s top psyche prog jam style.
Line-up:
- GustI Lutjens / guitar
- Lutz Ulbrich / guitar
- Michael Gunther / bass
- Michael Hoenig / keyboards
- Burghard Rausch / drums
Track List:
01. Someone’s Secret – 17:11
02. Mickey’s Laugh – 9:56
03. We Are Men – 10:17
04. Mediterranean Flight – 3:58
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Agitation Free – Last (Live 1974) (@256)
26 May 2010
(Review from progarchives.com)
This live album is very different but somewhat the logical follower of “Second” but reversely so. Here the electronics predominate the electric and acoustic music. It was recorded partly live in 1974 and partly in spring 1973 from a radio broadcast and parts from a successful French tour the next year with yet another guitarist.
The first side is made up of two tracks and they don’t make for an easy adaptation of Agitation Free’s evolution since their second album. Gone is the warm pastoral sound of “Second” or the torrid cosmic feel of Malesch. We are left with a glacial music, sometimes not very well recorded The flipside is filled by a sidelong comp “Looping IV”, which is relatively eventless. as this is mostly electronic layers and sounds evolving and leading to some delightful music that AF had gotten us used to in their first two.
This is a definite tougher listen. You’ll find that it never gets fully tamed, but in time, you should warm up to it.
Line-up:
- Michael Hoenig / synthesizer, keyboards
- Dietmar Burmeister / drums
- Michel Gunther / bass
- Gustl Lutjens / vocals
- Burghard Rausch / drums, keyboards, vocals
- Jorg Schwenke / guitar
- Lutz Ulbrich / guitar, keyboards
Track List:
01. Soundpool – 5:54
02. Laila II – 16:58
03. Looping IV – 22:41
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Agitation Free – Second (1974) (@256)
25 May 2010
(Review from progarchives.com)
In some ways, “Second” is the logical successor to Malesch with its twin guitar “attack”; these two are so mellow that it seems a shame to call them an attack. But the name “attack” is now apt for the drumming since the group enlisted a second drummer, thus giving an exacting edge that only the Allman Brothers Band had before. Losing the second drummer just prior to recording their aptly-titled Second, AF retained all of the inertia and the album has a fantastic ABB fluidness wherever necessary. Graced with a drought, than rain season artwork, this second album lost all ethnic touches of Malesch, one passage excepted, proof that their debut’s rep was indeed overdone.
Starting on the First Communications, you can hear the Floydian cosmic/psych influences of Malesh will also be relatively absent as well. Dialogue & Random is an electronic free jazz improve leading into the two-part Leila, which is strongly reminiscent of the ABB’s Elizabeth Reed and fades into Silence Of The Morning sunrise with electronic birds chirping along to tranquil electric guitars gliding along the organ mist layers. Superb music. The birds lead you to a slow Quiet Walk into a cosmic dark hole (Tangerine Dream’s Zeit is not far away here) if it wasn’t for an electric Indian-laced guitar (the only real ethnic moment of this album), before stretching itself out maybe a tad too long. The closing Haunted Island is the only sung track of the album, filtered, almost recitative over a superb mellotron, and once over, the two guitars take over and soar in the sky for a grandiose finale.
Although AF’s second album holds some fairly different influences, trading in the Arabian and cosmic /psych Floyd ambiance, for a more pastoral west coast sound, both albums can be regarded as AF’s crowning achievements, although neither reaches perfection.
Line-up:
- Stefan Diez / guitar
- Micheal Gunter / bass
- Micheal Hoenjo / synth, keyboards
- Burghard Rausch / drums, assorted percussions, voice, Mellotron
- Lutz Ulbrich / guitar, 12 string guitar, Bouzouki
Track List:
01. First Communication – 8:10
02. Dialogue & Random – 1:51
03. Laila, Part 1 – 1:41
04. Laila, Part 2 – 6:47
05. In The Silence Of The Morning Sunrise – 6:33
06. A Quiet Walk: a) Listening b) Two – Not Of The Same Kind – 9:15
07. Haunted Island – 7:11
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Agitation Free – Malesch (1974) (@256)
24 May 2010
(Review from progreviews.com, progarchives.com)
A classic of the German space genre, Agitation Free’s music is a combination of progressive rock and new instrumental music, with touches of Jazz and passages dedicated to an experimentation near to ambient. Their originality is due to the blend electronic and repetitive musics with a lot of ethnic elements.
Malesch, the band’s debut, was recorded after a trip to Egypt. The Middle Eastern influence brought back from this sojourn courses through the veins of the music, with live banter and incidental music recorded in Cairo serving as a link between tracks.
The album contains seven tracks running more or less continuously based in improvisational rock, with the individual tracks serving to divide the music by mood conjured. Like a lot of jamming, parts of tracks begin with the band finding its feet before everyone is on the same page, at which point the results are captivating and hypnotic.
Agitation Free is not as noisy as many of their peers, and sound almost like e-music at times (it is of note that Michael Hoenig later wrote some of the best Berlin school electronic music). There is a definite Middle Eastern sound aimed for, which is somewhat superficially achieved but leads to some nice harmonic variety all the same. Apart from closing track “Rücksturz”, with its stunning riff, no individual cut here blows me away. It is the aggregate of all the cuts which results in a half hour of excellent, involving mood music.
Line-up:
- Peter Michael Hamel / keyboards
- Michael Hoenig / synthesizer, keyboards
- Michel Gunter / bass
- Uli Pop / bongos
- Burghard Rausch / drums, keyboards, vocals
- Jorg Schwenke / guitar
- Lutz Ulbrich / guitar, keyboards
Track List:
01. You Play For Us Today – 6:15
02. Sahara City – 7:51
03. Ala Tul – 4:57
04. Pulse – 4:51
05. Khan El Khalili – 5:34
06. Malesch – 8:24
07. Rucksturz – 2:11
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