(Review from progarchvies.com)

How could Samla Mammas Manna better their work after the astounding Maltid? Well they certainly tried very hard to duplicate the success without making a carbon copy of their previous oeuvre or reproducing exactly the recipe and succeeded in bringing us something almost as tasty as “Maltid”. “Klossa Kuapitatet” is an excellent album, that was recorded the following year with an unchanged line-up and it was granted another weird freak artwork, again with no obvious relation with the music, even with the track titles translated.

Staying more or less in the same musical realm than with Maltid, Klosa Knapitatet actually dare goes a little further in jazz (or jazz-rock as in the superb and lengthy “Liten Dialektik”), or in the burlesque (the yodelling of Kaninhal) or even in the dissonant and absurd (“Influences”) or in the festive folk and circus-like music (“Mousemilkingmachine”) and sometimes Crimsonoid deviations (“Influences” again). The Zappa stature is probably less present here than on “Maltid” though, and while the vocals remains strange, we can also say they’re less Focus-like as well. Elsewhere the band’s giving us some accordion with a guest musician on the title track, while the closing “Ramlosa Kvallar” is a fitting closing bit for such a crazy album, like Crimson playing Moonshine or Providence and after that returning to some brilliant polka music.

Line-up:
- Coste Apetrea / acoustic & electric guitars, backing vocals
- Hasse Bruniusson / drums, backing vocals
- Lasse Hollmer / piano, accordion, yodelling, vocals
- Lasse Krants / bass, backing vocals
- Brynn Settels / accordion (8)

Track List:
01. Ingenting (Nothing) – 2:10
02. Liten Dialektik (Small Dialectics) – 10:08
03. Sucken (The Sigh) – 1:14
04. Langt Ner I Ett Kaninhal (Way Down A Rabbithole) – 4:15
05. Kom Lite Narmare (Come A Little Closer) – 1:29
06. Musmjolkningsmaskinen (The Mousemilkingmachine) – 6:36
07. Influenser (Influences) – 7:00
08. Klossa Knapitatet – 1:22
09. Ramlosa Kvallar (Framless Nights) – 5:25

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