Sakalli
Freedom to Music
Freedom to Music
16 May 2011
During Filesonic mirroring, some album links were accidentally replaced with Blodwyn Pig’s Ahead Rings Out.
All should be fixed now, if you come across any wrong links in the archives; please report them.
16 May 2011
(Review from thebestofwebsite.com)
The material for this release is taken from Pine Knob Music Theatre in Clarkston and it includes the complete show from June 20, 1991, and key second set excerpts from the evening before.
The first set is notable for Lesh’s agression. “Peggy-O” through “Maggie’s Farm” are accordian dominant. The set is fairly short, including a solid “Bird Song”.
The opener of second set, “Throwing Stones” to begin the set. It achieves its objective of setting the energy level to full blast to start the festivities. Garcia keeps the power on with a rendition of “Iko” that segues oh so smoothly from “Throwing Stones” that you’d think it was standard repertoire. Following are the next two curves, “All Along The Watchtower” > “Standing On The Moon”.
The post-drums material is very solid and generous in length. A melodic reading of “The Wheel” leads to a conflict of riffs between “I Need A Miracle” and ”The Other One” with “Miracle” winning out. The rendition of “Wharf Rat” has a solid instrumental. A nice transition to a “Throwing Stones Reprise” and a well played “Not Fade Away” are both super charged with electricity and is a perfect way to close the set.
There is a generous helping of excellent bonus material, which is from the evening before that includes most of its second set. Rounding out disc one is a fine “Scarlet Begonias” > “Fire On The Mountain” that is preceded with the jam out of “Victim Or The Crime”. Then to round out disc three we are treated to the end of the second set from 6/19 with another curve, “Stella Blue” > “The Other One” rather than the reverse order. Both are good Hornsby era takes, but more thrilling is a well jammed out “Johnny B. Goode”.
The mix especially favors Lesh, he is thumping, leading, conversing, and walking with or through everything.
Line-up:
- Jerry Garcia / lead guitar, vocals
- Vince Welnick / keyboards, vocals
- Bruce Hornsby / piano, vocals
- Bill Kreutzmann / drums
- Phil Lesh / electric bass
- Bob Weir / rhythm guitar, vocals
Track List:
CD1
01. Touch Of Grey – 6:39
02. Greatest Story Ever Told – 4:44
03. Peggy-O – 7:47
04. Mexicali Blues – 5:51
05. Maggie’s Farm – 8:26
06. Birdsong – 14:26
CD2
01. Throwing Stones – 6:52
02. Iko Iko – 9:51
03. All Along The Watchtower – 7:40
04. Standing on the Moon – 10:36
05. He’s Gone – 10:07
06. Rhythm Devils – 20:30
07. Space – 9:37
CD3
01. The Wheel – 5:10
02. I Need A Miracle – 5:04
03. Wharf Rat – 10:40
04. Throwing Stones – 4:42
05. Not Fade Away – 11:02
06. Brokedown Palace – 5:13
07. Stella Blue – 10:08
08. The Other One – 7:51
09. Johnny B. Goode – 4:52
Link in comments.
15 May 2011
(Review from progarchives.com)
These live recordings from 1972 are unfortunately of poor sound quality. That’s a pity because good live recordings from Museo Rosenbach could have compete with many legendary live albums of its time.
There are two songs from their legendary album (but not the long piece suite) : “Della Natura” and the good “Dell Eterno…”.
There’s also a medley of two songs: “Season Of The Witch” (from “Donovan”) and “It’s A Man’s Man’s World” (from James Brown) ! It might not really be the type of songs you would imagine that Museo would cover. A useless drum solo is also featured.
What is really unbearable is the sound quality : boot. Nothing more. Not to say that this album would have been great with a decent sound but as such it is a PITA.
The version of “Della Natura” is more extended than the studio one (there is a long jazz-oriented improvisation break in the middle section).
Line-up:
- Enzo Merogno / guitar
- Alberto Moreno / bass
- Giancarlo Golzi / drums
- Pit Corradi / Mellotron, orgue (Hammond), e-piano (Farfiso)
- Stefano “Lupo” Galifi / vocals
- Leonardo Lagorio (Celeste) / saxophone, flute
Track List:
01. Intro-Dell’eterno Ritorno – 8:46
02. Dopo – 5:16
03. Season Of The Witch – 15:30
04. Della Natura – 12:25
Link in comments.
14 May 2011
(Review from dead.net)
This is a triple disc release which heads back to that most classic of Grateful Dead years, 1972. This concert, July 21, 1972, would mark the beginning of a virtually non-stop touring schedule that would take them to the end of the year.
The first set features many of the first set songs of the era played to perfection, including a monster “Playing In The Band”, the second set, as would be expected, was where the real fireworks would be found. A raucous “Truckin’” moves smoothly into “Drums”, followed by a melodic, exploratory rendition of “The Other One”, which drops into a perfect reading of “Comes A Time”. Ending the show is an intensely powerful “Goin’ Down The Road Feeling Bad > Not Fade Away” combo (the first part of “Not Fade Away” is missing from the master tapes, as is the first song of the evening’s performance, “Promised Land”.
As a bonus, the best material from the next night’s concert (7/22/72) is here, including lengthy workouts on “Bird Song” and another stellar “Playing In The Band”.
Line-up:
- Jerry Garcia / lead guitar, vocals
- Keith Godchaux / piano
- Donna Jean Godchaux / vocals
- Bill Kreutzmann / drums
- Phil Lesh / electric bass
- Bob Weir / rhythm guitar, vocals
Track List:
CD1
01. Sugaree – 7:57
02. Black Throated Wind – 6:57
03. Cumberland Blues – 5:41
04. Me & Bobby McGee – 5:44
05. Loser – 6:50
06. Mexicali Blues – 3:36
07. China Cat Sunflower – 5:01
08. I Know You Rider – 6:56
09. Beat It On Down the Line – 3:28
10. Stella Blue – 7:43
11. Playing in the Band – 11:32
12. Tennessee Jed – 8:09
CD2
01. Casey Jones – 8:09
02. Me & My Uncle – 3:15
03. Deal – 5:27
04. Jack Straw – 5:15
05. He’s Gone – 9:16
06. Truckin’ – 10:31
07. Drums – 5:44
08. That’s It For The Other One – 22:23
09. Comes A Time – 7:28
CD3
01. Sugar Magnolia – 6:58
02. Ramble on Rose – 6:29
03. Goin’ Down The Road Feelin’ Bad – 5:21
04. Not Fade Away – 3:23
05. You Win Again – 4:10
06. Bird Song – 9:38
07. Playing in the Band – 13:50
08. Morning Dew – 12:04
09. Uncle John’s Band – 7:36
10. One More Saturday Night – 5:02
Link in comments.
14 May 2011
(Review from roadrunnerrecords.com)
On Thursday July 30, 2009, Heaven & Hell took to the stage at the famous Wacken festival in Germany as part of the tour in support of their album ‘The Devil You Know’, released earlier in the year.
Although nobody knew at the time, it was to be Ronnie James Dio’s last recorded concert appearance before his death in May 2010 from stomach cancer. Heaven & Hell were on fantastic form and played a set blending tracks from the newly released album with classics from their Black Sabbath days.
This is a truly fitting tribute to one of the legendary voices of rock.
Line-up:
- Ronnie James Dio / vocals
- Tony Iommi / lead guitar
- Geezer Butler / bass
- Vinny Appice / drums
- Scott Warren / keyboards, rhythm guitar
Track List:
01. Mob Rules – 3:46
02. Children Of The Sea – 6:30
03. I – 6:16
04. Bible Black – 6:29
05. Time Machine – 4:39
06. Fear – 4:36
07. Falling Off The Edge Of The World – 5:39
08. Follow The Tears – 6:11
09. Die Young – 6:41
10. Heaven And Hell – 17:48
11. Neon Knights – 5:45
Link in comments.
13 May 2011
(Review from thebestofwebsite.com)
This archival release brings a release from a fairly well represented year, 1989. It is comprised of two complete concerts on four discs. On a minor note, the order was arranged in a few cases to include the beginning of set two and/or encores at the end of set one.
The band is tight, in sync, and powerful, predictable, Lesh is aggressive, Garcia’s voice struggles frequently. The song lists are fairly standard and the renditions don’t offer any revelations.
The first show begins with a crowd pleaser, “Iko Iko”, a perfect way to get the crowds attention. Garcia’s other songs are slower in nature and he has no trouble leading the band through the musical passages. Weir offers strong readings of his four tracks including the infrequently performed “It’s All Over Now” and “The Music Never Stopped”. On the latter the closing instrumental allows the band to do their own thing, before Garcia leads them back to earth to end the set.
The second set begins with “Shakedown Street” and 1989 is an excellent year for it. Jerry fronts the band through two solid instrumentals. The goods continue to be served up with a more than satisfactory “Man Smart Woman Smarter”, where the band seems to be in no hurry, yet are concise in their statements, with brilliant passage handoffs, and an overall tightness to the delivery. “Foolish Heart” is still young in 1989. The post space stays away from the slow numbers and is very much in party mode with a large number of songs, even if none stretch out.
The third disc begins the April 3, 1989, show. The set is generally predicable in that it includes the standard blues number, a country cover, and a Dylan impersonation, not to mention a familiar closer. It begins on an upbeat tone with “Greatest Story Ever Told” > “Bertha”. A good opening no doubt, with Phil getting behind Jerry’s lines nicely on “Bertha.” What is not so typical is the material from 1989′s album “Built to Last” and Lesh singing the Dylan cover instead of Weir. How big of a fan of the “Built to Last” material will dictate how well you rank this set. This CD also does include the set two opener, “Blow Away”, as well as the two song encore. On “Johnny B. Goode”, Garcia’s solo is a bit electronic gadget heavy with Brent having the better musical statement to convey.
The second set is much more interesting than the first. A solid set list starting with a loose “Estimated Prophet” that merges into an always welcome duo of Jerry tunes, “Crazy Fingers” > “Uncle John’s Band”.
The “Space” segment offers a hint of “I Need a Miracle” but the band decides on “Gimme Some Lovin’” instead; always a crowd pleaser. Keeping the mood upbeat this transitions into the hinted at “Miracle”. The ending jam sounds a bit “Truckin’” like for a few bars before slipping nicely into “Stella Blue”.
Line-up:
- Jerry Garcia / lead guitar, vocals
- Brent Mydland / keyboards, vocals
- Mickey Hart / drums
- Bill Kreutzmann / drums
- Phil Lesh / electric bass, vocals
- Bob Weir / rhythm guitar, vocals
Track List:
CD1
01. Iko Iko – 5:57
02. Little Red Rooster – 9:26
03. Dire Wolf – 3:55
04. It’s All Over Now – 8:40
05. We Can Run – 5:11
06. Brown-Eyed Women – 5:17
07. Queen Jane Approximately – 6:48
08. Tennessee Jed – 7:39
09. The Music Never Stopped – 8:04
10. It’s All Over Now, Baby Blue – 7:45
CD2
01. Shakedown Street – 12:05
02. Man Smart, Woman Smarter – 8:18
03. Foolish Heart – 7:51
04. Rhythm Devils – 10:53
05. Space – 8:58
06. The Wheel – 4:27
07. Dear Mr. Fantasy – 5:08
08. Hey Jude – 2:39
09. Around and Around – 3:50
10. Goin’ Down The Road Feeling Bad – 5:44
11. Turn On Your Love Light – 5:44
CD3
01. Greatest Story Ever Told – 4:13
02. Bertha – 7:18
03. Walkin’ Blues – 6:48
04. Jack-A-Roe – 5:43
05. El Paso – 5:31
06. Built To Last – 5:26
07. Victim Or The Crime – 7:38
08. Just Like Tom Thumb’s Blues – 5:06
09. Don’t Ease Me In – 3:26
10. Blow Away – 8:12
11. Johnny B. Goode – 4:30
12. Black Muddy River – 6:44
CD4
01. Estimated Prophet – 10:46
02. Crazy Fingers – 8:14
03. Uncle John’s Band – 11:56
04. Rhythm Devils – 7:24
05. Space – 9:37
06. Gimme Some Lovin’ – 5:11
07. I Need A Miracle – 4:15
08. Stella Blue – 8:02
09. Sugar Magnolia – 8:54
Link in comments.
03 May 2011
(Review from Venenos Do Rock, progarchives.com)
This musical collective was born in Munich in the early 70s. It features Jimmy Jackson (Amon Duul II, Embryo) on extended choir organ. “Haboob” means desert winds.
The band has a freaky and proto progressive rock sound, including bluesy riffs, psych buzzing strings and soulful rocking improvised sessions.
Their only album’s tracks, like the opener “Israfil” sounds a lot like Amon Duul II, with a dense atmosphere of gurgling, manipulated vocals and keyboards.
Weirdness prevails throughout the rest of the album, there’s bluesy psychedelia, keyboard freak-outs, percussion extravaganzas and an unusual version of “Soldier Boy” by the Shirelles.
Line-up:
- George Green / drums, percussion, vocals
- Jimmy Jackson / organs, piano, vocals
- William Powell / guitar, vocals
Track List:
01. Israfil – 9:47
02. Blues For Willi Pee – 3:54
03. Sooloo – 5:13
04. Morning Prayer – 5:13
05. Keep On Pushing – 4:44
06. Soldier Boy – 3:46
07. Time To Be – 3:46
Link in comments.
02 May 2011
(Review from thebestofwebsite.com)
This archival release features recordings from 12/10/1973 at the Charlotte Coliseum. This period is notable for Keith’s brilliance and Donna’s absence due to her pregnancy.
Most of the Grateful Dead’s performance from this evening is included, which makes this two-disc release a very short show for 1973. The release notes indicate that three songs from the first set were not included due to sub-par sonics. More than that, the sound quality overall is not spectacular. The low end doesn’t hold up too well and the fidelity bounce is just not present, but at moderate volumes it sounds fine.
The first disc’s first six songs are from the first set that ends with a solid “Playing in the Band”. After, there are five songs from the second set, which are set one oriented, but in this case, set two warm ups for the jams.
The second disc is a solid piece of music, basically broken into three parts rather one continuous piece of music, and is certainly worthwhile. “China Cat Sunflower” and “Eyes of the World” are relatively short for the period. Though “Eyes” segues sweetly into “Brokedown Palace”. While short, the jam between “China Cat” and “Rider” is very good, with Garcia and Keith conversing nicely with Weir. Lesh gets in on the action and Garcia takes the lead of the conversation.
The version of “Sugar Magnolia” is quite strong, and that’s before counting the “Goin’ Down The Road Feeling Bad” sandwiched within. Keith is real solid, both in taking the lead and in joining Phil, Bobby, and Billy into pushing Jerry to the edge.
While Grateful Dead Download Series Volume 8 is far from perfect, it has plenty to enjoy.
Line-up:
- Jerry Garcia / lead guitar, vocals
- Keith Godchaux / piano
- Bill Kreutzmann / drums
- Phil Lesh / electric bass
- Bob Weir / rhythm guitar, vocals
Track List:
CD1
01. Bertha – 7:01
02. Mexicali Blues – 4:12
03. Deal – 4:50
04. Big River – 4:54
05. Don’t Ease Me In – 4:03
06. Playing in the Band – 20:56
07. Promised Land – 3:40
08. Peggy-O – 6:03
09. Row Jimmy – 9:49
10. Me & Bobby McGee – 5:59
11. Big Railroad Blues – 4:26
CD2
01. Truckin’ – 9:00
02. Nobody’s Fault But Mine – 5:07
03. Eyes of the World – 13:20
04. Brokedown Palace – 6:23
05. China Cat Sunflower – 5:16
06. I Know Your Rider – 8:41
07. Sugar Magnolia – 6:16
08. Goin’ Down The Road Feelin’ Bad – 8:46
09. Sunshine Daydream – 3:11
10. Casey Jones – 7:26
Link in comments.
28 Apr 2011
(Review from amazon)
This release contains both the “Official Bootleg Two” (Live in Japan) and “Official Bootleg Three” (Live in Italy) concert albums of the 21st Century Schizoid Band.
The Japanese concert, after a brief intro, starts with the whole band thrusting themselves raucously into `A Man A City’ which was always one of King Crimson’s early classic heavy numbers. Originally titled `Pictures Of A City’ it is a firm fan favourite in King Crimson’s early days and exactly why `The 21st Century Schizoid Band’ was formed – so that this wonderful music does not go to waste and disappear into time.
There is then a fun rendition of King Crimson’s almost hit single `Cat Food’ from the same album. You cannot help but chuckle at the lyrics. We are then taken into a little bit of solo territory with the title track from Mike Giles solo album “Progress” and “Let There Be Light” from Ian McDonald’s solo album `Drivers Eyes’. Both of these songs fit in perfectly with the mood being musically set up. This leads us nicely to the meat of the concert, a perfect rendition of `In The Court Of The Crimson King’.
The next two songs come from the “Islands”, originally recorded by a jazzy line-up featuring Mel Collins. During these “Formentara Lady” and “Ladies Of The Road”, Mel Collins is given full reign to showcase his talents. Ian McDonald then rather steals the show for the next three songs; two more from Crimson’s debut “I Talk To The Wind” with some of the finest flute playing from Ian McDonald ever heard in the rock format. Next we are treated to the beauty of “Epitaph”. Then what could be more natural for this band than to finish off the set proper with a snippet from “Birdman”, a sympathetic piano laden instrumental from the McDonald / Giles solo album of the same name from 1970.
For an encore we have the namesake “21st Century Schizoid Man”, the first track off King Crimson’s debut album. Jakko. M. Jaksyk fills Robert Fripp’s boots to bursting point whilst the others have a glorious time around his riffing, playing their hearts out, having the time of their collective lives, whilst the Japanese fans go mad for it.
The second CD contains the whole Italian concert. The line-up is a little different, with Michael Giles leaving and another seasoned King Crimson drummer, Ian Wallace filling in. Apart from the “Improv” section and the bonus studio track, all the songs performed here was also performed in the Japanese concert. However, with Ian Wallace replacing Michael Giles, it’s nice to hear what Wallace brings to the table.
Ian Wallace passed away in 2007 and the 21st Century Schizoid Band is currently inactive.
Line-up:
- Mel Collins / Baritone, Tenor and Alto Sax, Flute, Keys and Backing Vocals
- Peter Giles / Bass Guitar and Backing Vocals
- Jakko M. Jakszyk / Guitar, Vocals, Flute and Mellotron
- Ian McDonald / Keyboards. Flute, Alto Sax and Vocals
- Michael Giles / Drums, Percussion and Vocal (CD1)
- Ian Wallace / Drums, Percussion and Vocal (CD2)
Track List:
CD1
01. Schizoid Intro – 1:59
02. A Man, A City – 8:32
03. Catfood – 4:22
04. Let There Be Light – 3:18
05. Progress – 6:59
06. The Court Of The Crimson King – 7:42
07. Formentera Lady – 11:58
08. Ladies Of The Road – 7:34
09. I Talk To The Wind – 5:43
10. Epitaph – 8:42
11. Birdman – 4:24
12. 21st Century Schizoid Man – 8:32
CD2
01. Schizoid Intro – 2:00
02. A Man, A City – 8:36
03. Let There Be Light – 3:26
04. Court Of The Crimson King – 7:54
05. Ladies Of The Road – 7:11
06. Improv – 11:56
07. Birdman – 4:40
08. Epitaph – 8:42
09. Catleys Ashes (Bonus Studio) – 7:06
Link in comments.
24 Apr 2011
(Review from thebestofwebsite.com)
This archival release features the show from September 3, 1980, in Springfield in its entirety on the first two discs. Also included is a third disc, which comprises most of the second set from the following evening.
The first set includes standard performances. The highlights include inspired performances of “Mama Tried” > “Mexicali Blues”. The transition to them from a solid “Franklin’s Tower” is well executed. Garcia’s solos during “Mexicali Blues” emphasize some excellent guitar runs. Following is an excellent rendition of “Althea” that features nice musical interplay as well as Jerry in fine vocal form. Weir pushed the band throughout the set. He is energized and seems to be in all the right places.
The second set begins with a strong showing of “Feels Like a Stranger”. The jam that follows “Saint of Circumstance” adds some interest.
After “Space” is “He’s Gone”, which was hinted at during the pre-drums “jam”. That is the beginning of a generous helping of music that is generally upbeat, with a sweet ballad, “Black Peter” in the middle. The Chuck Berry numbers to close the set are highly jubilant.
The third disc has music that was performed on the next day, at the Providence Civic Center and it is exceptional! A few “warm-up” songs are missing that start the set. The music begins with an electrifying “Supplication Jam” that melts into a great “Estimated Prophet”. The ending jam of it features Jerry peeling the most fluid notes one can imagine off of his guitar strings. The “Eyes of the World” is rapid, but good jams are abundant so whose to complain. Because of the missing songs, “Drums” arrive quicker than expected. Believe it or not, the post drums material is just as scrumptious as the music that precedes it. A tight performance by all accounts, with Jerry being particularly on fire. The jams in “Wharf Rat”, “GDTRFB” and “Good Lovin’” are all superb.
“Download Series 7″ sure packs a lot of music onto its three discs. The sound quality is nice and the fact that 1980 soundboards are not as abundant as other years further adds to its appeal.
Line-up:
- Jerry Garcia / lead guitar, vocals
- Brent Mydland / keyboards, vocals
- Mickey Hart / drums
- Bill Kreutzmann / drums
- Phil Lesh / electric bass
- Bob Weir / rhythm guitar, vocals
Track List:
CD1
01. Mississippi Half-Step Uptown Toodeloo – 8:26
02. Franklin’s Tower – 9:12
03. Mama Tried – 2:26
04. Mexicali Blues – 5:01
05. Althea – 7:59
06. Little Red Rooster – 7:45
07. Candyman – 7:33
08. Easy To Love You – 4:30
09. Let It Grow – 10:56
10. Deal – 4:32
CD2
01. High Time – 8:12
02. Lost Sailor – 7:10
03. Saint of Circumstance – 6:12
04. Jam – 2:48
05. Drums With Brent – 2:47
06. Rhythm Devils – 8:51
07. Space – 2:15
08. He’s Gone – 9:57
09. Truckin’ – 8:11
10. Black Peter – 9:08
11. Around and Around – 3:58
12. Johnny B. Goode – 4:40
13. Brokedown Palace – 5:22
CD3
01. Supplication Jam – 4:36
02. Estimated Prophet – 10:29
03. Eyes of the World – 8:09
04. Rhythm Devils – 11:11
05. Space – 6:46
06. The Other One – 8:00
07. Wharf Rat – 9:49
08. Goin’ Down The Road Feelin’ Bad – 6:49
09. Good Lovin’ – 8:04
10. U.S. Blues – 5:25
Link in comments.
24 Apr 2011
(Review from seaoftranqulity.org)
Here’s a little something that will rub that “nostalgia itch” for all King Crimson fans, especially lovers of the band’s first few albums. Featuring former members Ian McDonald, Michael Giles, Mel Collins, Peter Giles, plus former Level 42 guitarist/vocalist Jakko Jacszyk, 21st Century Schizoid Band plays a variety of vintage Crimson tunes that the actual band itself no longer covers. Never intended as an official release, but more as a souvenir of the 2002 tour, this is a nice walk down memory lane.
Hearing these geezers run through the jazzy “Catfood” , complete with squonking sax from Collins and McDonald’s rolling piano lines, brings back fond memories of one of the most overlooked Crimson albums, In the Wake of Poseidon. Jacszyk does a good job coming up with a Greg Lake flavored vocal, as he does on all the songs covered here. The band really gets the “sound” on “In the Court of the Crimson King”, complete with McDonald’s flute and Mellotron samples. The band pulls out “Formentara Lady” from the Islands LP, a real introspective tune that gets royal treatment here with lovely woodwinds from Collins, as well as the more jarring “Ladies of the Road”, where Jakszyk does a good job mimicking Fripp’s jangly guitar work as it does battle with Collins and his nasty sax tone. Of course, this set would not be complete without a rendition of “21st Century Schizoid Man”, the metallic progressive rock classic, in which these guys really rock the house with note for note precision, yet add a strong jazz feel at the same time. Other tunes included are “A Man A City” (the Crimson title is actually “Pictures of a City”) and the lovely “I Talk to the Wind”.
For longtime King Crimson buffs, this live album will be a load of fun. Some familiar faces dust these tunes out of the closet after 30 years and give them a fresh reworking.
Line-up:
- Mel Collins / Saxes, Flute, Keys & Backing Vocals
- Michael Giles / Drums
- Peter Giles / Bass, Backing Vocals
- Ian McDonald / Saxes, Flute, Keys & Backing Vocals
- Jakko Jakszyk / Guitar, Vocal
Track List:
01. A Man A City – 8:27
02. Catfood – 4:52
03. In The Court Of The Crimson King – 7:28
04. Formentera Lady – 12:44
05. Ladies Of The Road – 7:16
06. I Talk To The Wind – 5:25
07. 21st Century Schizoid Man – 7:37
Link in comments.
23 Apr 2011
(Review from dead.net)
This is a rare treasure from March 1968 at the Carousel Ballroom. This single disc release includes all of the second set and a “Lovelight” which was the only song salvageable from the first set.
The sound quality is remarkable for its age, with a nice full mix; it has a song list that is exceptional even for this era of preposterously stunning song lists; and the performances match up with, and at times surpass, the much-lauded Tahoe 1968 release.
The albums starts with the first-set-closing “Lovelight”. The rest of the first set was marred by technical problems wrought in part by sound experiments conducted on the master tapes during production of “Anthem of the Sun” late in 1968.
The second set is a 60+ minute non-stop jam, featuring all of the staples of the era (“That’s It For The Other One,” “New Potato Caboose,” “China Cat Sunflower,” and the “The Eleven”) culminating with a powerful, intense and dynamic “Caution” that will drop your jaw. To cap it all off, a way-out “Feedback” jam ends this outstanding one-disc wonder.
Line-up:
- Jerry Garcia / lead guitar, vocals
- Ron “Pigpen” McKernan / vocals, organ, harmonica
- Mickey Hart / drums
- Bill Kreutzmann / drums
- Phil Lesh / electric bass
- Bob Weir / rhythm guitar, vocals
Track List:
01. Turn on Your Lovelight – 16:16
02. That’s it for the Other One – 9:17
03. New Potato Caboose – 8:26
04. China Cat Sunflower – 4:41
05. The Eleven – 10:56
06. Caution (Do No Stop on Track) – 20:54
07. Feedback – 7:15
Link in comments.
22 Apr 2011
(Review from dead.net)
From the Spring Tour of 1988, this is a triple set of all the March 27, 1988 show from the Hampton Coliseum.
Every year in the Grateful Dead’s touring history contained shows that were justifiably considered to be the best of the year. For 1988, this is it. Those who were present agree that there was magic in the air that night. It is an incredibly dynamic concert with an impeccably clean, crispy pure recording, which reveals every nuance of this amazing concert.
Highlights are many, with some rarities mixed in the fold on this special night alongside stellar versions of several Grateful Dead classics.
Early in the first set, we are treated to the first and one of only two performances of Bob Dylan’s “Ballad Of A Thin Man”, followed by the country one-two punch of “Cumberland Blues” and “Me and My Uncle”. Next up is the return to the rotation of “To Lay Me Down”, its first appearance in almost five years.
The second set features the most powerful version of the trio of “Sugar Magnolia>Scarlet Begonias>Fire On The Mountain” since the Closing Of Winterland, preceded by the only version ever played of Miles Davis’ “So What”. Later, the second set includes terrific renditions of “Goin’ Down The Road Feeling Bad” and “Dear Mr. Fantasy”, all capped by the expected “Sunshine Daydream”.
Line-up:
- Jerry Garcia / lead guitar, vocals
- Brent Mydland / keyboards, Vocals
- Mickey Hart / drums
- Bill Kreutzmann / drums
- Phil Lesh / electric bass
- Bob Weir / rhythm guitar, vocals
Track List:
CD1
01. Iko Iko – 5:06
02. Little Red Rooster – 8:32
03. Stagger Lee – 5:33
04. Ballad of a Thin Man – 7:04
05. Cumberland Blues – 5:02
06. Me and My Uncle – 3:10
07. To Lay Me Down – 8:03
08. Let It Grow – 11:22
CD2
01. Space – 2:19
02. So What – 0:57
03. Sugar Magnolia – 5:13
04. Scarlet Begonias – 10:55
05. Fire on the Mountain – 10:39
06. Estimated Prophet – 10:29
07. Eyes of the World – 8:31
08. Rhythm Devils – 7:33
CD3
01. Space – 7:31
02. Goin’ Down the Road Feelin’ Bad – 5:52
03. I Need a Miracle – 3:19
04. Dear Mr. Fantasy – 4:53
05. Sunshine Daydream – 4:45
06. U.S. Blues – 5:43
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22 Apr 2011
(Review from amazon)
This Los Angeles based trio is among a handful of 1960s groups to turn out stellar major-label releases to little or no acclaim, and only faint memory among the few who heard them at the time. Their two Capitol albums of West Coast country-inflected folk-rock predated or paralleled many which found fame, such as efforts from The Beau Brummels, Byrds, Dillards and Flying Burrito Brothers, and matched them in quality and innovation. This is a perfect storm of folk and rock, with country touches, sunshine-pop production and age-of-Aquarius sensibilities that lends both albums the magic glow of 1960′s social awareness and utopian hope.
The band’s debut, 1967′s “Now is the Time For… Hearts and Flowers,” combines light-psychedelic touches with Nik Venet’s crystal-clear production across a combination of originals and songs selected from the pens of Donovan (“Try for the Sun”), Tim Hardin (“Reason to Believe,” popularly recorded by Rod Stewart), Hoyt Axton (“10,000 Sunsets”), Goffin & King (“Road to Nowhere” – the B-side of their first single), and a fine cover of the Merle Haggard hit “I’m a Lonesome Fugitive”. The entire album balances folk and country influences similarly to Brewer & Shipley’s best work. Sadly, despite prominent opening slots on tours by The Doors and Simon & Garfunkel, the album went nowhere commercially.
Before recording their second album, 1968′s “Of Horses, Kids and Forgotten Women,” guitarist/vocalist Rick Cunha departed and was replaced by future Eagle, Bernie Leadon. This sophomore LP includes a more generous helping of originals (including a reprise of the title track from the debut!), along covers of Arlo Guthrie’s “Highway in the Wind” and James Lee Kincaid’s “She Sang Hymns Out of Tune.” The band’s original “Two Little Boys” would become a hit for Rolf Harris a couple of years later. Nik Venet added more orchestration to the second release, resulting in heavier psychedelic influence on cuts like “Ode to a Tin Angel.” Though more in line with popular LPs of 1968, the band still found little commercial success, and were drifting apart by the time the album hit the stands. One could argue that they left the stage set and the amplifiers warmed up for The Byrds’ “Sweetheart of the Rodeo” and Gram Parson’s post-Byrds recordings.
This compilation collects all twenty-two tracks from the original pair of albums. It also includes thirteen previously unreleased tracks that are well worth having.
Line-up:
- Rick Cunha / Guitar, Vocals
- David Dawson / Autoharp, Vocals
- Bernie Leadon / Guitar
- Larry Murray / Guitar, Vocals
Track List:
CD1
01. Now Is The Time – 1:25
02. Save Some Time – 2:41
03. Try For The Sun – 2:43
04. Rain, Rain – 2:35
05. The View From Ward Three – 2:58
06. Rock And Roll Gypsies – 2:22
07. Reason To Believe – 2:08
08. Please – 3:00
09. 1-2-3 Rhyme In Carnivore Thyme – 2:15
10. I’m A Lonesome Fugitive – 2:47
11. Road To Nowhere – 3:29
12. 10,000 Sunsets – 2:36
13. Now Is The Time For Hearts & Flowers – 1:25
14. Highway In The Wind – 4:05
15. Second Hand Sundown Queen – 3:41
16. She Sang Hymns Out Of Tune – 3:05
17. Ode To A Tin Angel – 4:23
18. When I Was A Cowboy – 3:34
19. Legend Of Ol’ Tenbrookes – 3:12
20. Colour Your Daytime – 3:53
21. Two Little Boys – 3:08
22. Extra Extra / Rock & Roll Gypsies / Extra Extra – 3:52
CD2
01. Rosana – 2:13
02. Extra Extra – 1:54
03. Walls – 2:16
04. She Like Her Loving Like I Like Mine – 2:39
05. Six White Horses – 3:14
06. Flower Lady – 3:00
07. When I’m With You – 2:01
08. Gypsy Blue – 3:30
09. Everybody’s Talkin’ – 2:49
10. California Sunshine Girl – 3:07
11. Jones Vs. Jones – 2:51
12. Brandy – 2:39
13. Other Side Of This Life – 2:54
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21 Apr 2011
(Review from thebestofwebsite.com)
This is the complete 6/18/76 concert, minus one song, “Tennessee Jed,” which was omitted because the master tape was plagued with technical problems that could not be fixed in mastering. This is a typically hot and surprisingly exploratory show.
New songs recently added to the repertoire, such as “The Music Never Stopped”, “Crazy Fingers”, “Samson and Delilah” and “The Wheel” are all present here, and sound as though they’ve been a part of the band’s song book for years, along with the revitalized “St. Stephen”, “Cassidy” and one of only five Grateful Dead performances of Garcia’s “Mission In The Rain”. The highlight of the big second set jam is a wonderful “Eyes Of The World” that begins with a very long instrumental passage reminiscent of the 1974 jazz-influenced version of this song.
To round out the release, highlights from the next run of shows in Philadelphia are included, featuring stellar versions of “Candyman”, the new “Lazy Ligtnin’> Supplication,” an incredibly jammed-out performance of “Scarlet Begonias” and a 23 minute “Playing In The Band” featuring a very distinct “Fire On The Mountain” jam in the middle, led by Lesh. To cap it all off, a sweet reading of the newly-returned-to-action “High Time” from the tour’s penultimate show in Chicago ends the release.
Line-up:
- Jerry Garcia / lead guitar, vocals
- Donna Jean Godchaux / vocals
- Keith Godchaux / Piano
- Mickey Hart / drums
- Bill Kreutzmann / drums
- Phil Lesh / electric bass
- Bob Weir / rhythm guitar, vocals
Track List:
CD1
01. The Music Never Stopped – 5:54
02. Sugaree – 11:02
03. Mama Tried – 3:06
04. Crazy Fingers – 13:06
05. Big River – 6:22
06. Brown Eyed Women – 4:49
07. Looks Like Rain – 7:57
08. Row Jimmy – 10:28
09. Cassidy – 4:44
10. Mission In The Rain – 7:44
11. Promised Land – 4:18
CD2
01. Samson & Delilah – 6:44
02. St. Stephen – 4:39
03. Not Fade Away – 11:16
04. St. Stephen – 1:02
05. Eyes Of The World – 12:31
06. Drums – 2:16
07. The Wheel – 4:42
08. Sugar Magnolia – 11:25
09. U.S. Blues – 5:50
CD3 (Bonus)
01. Scarlet Begonias – 10:59
02. Lazy Lightnin’ – 2:48
03. Supplication – 5:18
04. Candyman – 7:05
05. Playin’ in the Band – 23:25
06. Drums – 2:30
07. The Wheel – 4:59
08. Playin’ in the Band – 3:26
09. High Time – 9:27
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