(Review from allmusic, wikipedia)

Caught Live + 5 is a 1977 Moody Blues double album consisting of a December 12, 1969 live show at the Royal Albert Hall and five previously unreleased studio recordings from the same time period.

The unofficial word among fans is that several of the group members were under the influence of controlled substances during the show and were, thus, less sharp than they might otherwise have been, though you’d never know it from the results here.

The 1969 Royal Albert Hall show sounds a lot better on this CD edition than it did on the LP, with a closeness that was never evident before — Justin Hayward’s guitar and Mike Pinder’s various Mellotrons, in particular, sound really crisp, and all of the singing comes out with more detail as well.

Their repertory at this time came primarily from “Days of Future Passed”, “In Search of the Lost Chord” and “On the Threshold of a Dream”, plus “Gypsy”, the one number from “To Our Children’s Children’s Children” — their then new album — that they actually performed live; the latter is also the opening number, and Hayward’s guitar work is most impressive, whether he’s playing the melody in the opening, or crunching out chords on the break.

“The Sunset” from Days of Future Passed, is a showcase for Pinder’s Mellotrons, the keyboard player slowly weaving lush Arabesques and misteriosos while Hayward strums out muted chords, Graeme Edge’s drums impersonate the sound of a tabla and Ray Thomas’ flute hovers above it all with its lilting phrases. “Dr. Livingston, I Presume” lightens the tone with a more witty, whimsical side of psychedelia that still allows Pinder a chance to show off the Mellotron’s range and Hayward a surprisingly hard-rocking solo — one audience member, in particular, seems taken with it all, punctuating the crescendos with shrieks of appreciation that don’t detract a bit from the listening.

Edge’s nimble playing is most impressive on “Peak Hour,” a frenetically paced number off of Days of Future Passed, and the other highlights of the set include the hits “Tuesday Afternoon” and “Nights in White Satin,” and the closing suite from On the Threshold of a Dream, which works well despite Pinder’s being limited to just two keyboards — one scarcely misses the grand piano, and the opening sequence, “Are You Sitting Comfortably,” gives Thomas’ flute its best showcase.

The group is tight throughout, both in their playing and singing, and the show ends on a hard-rocking note with “Legend of a Mind” and “Ride My See-Saw” — and the former is a great vehicle for John Lodge’s bass work.

As for the studio cuts, they’re salvaged from failed album sessions in 1967 and 1968, and they’re not bad songs — “Gimme a Little Something” has a great opening verse, guitar part, and chorus, even if it doesn’t quite hold together perfectly as a song, and “King and Queen” and “What Am I Doing Here” both have hauntingly beautiful melodies. But they’re also not quite up to the standard of what the group released during that period, and work best in a historical, archival context, which is how they were issued.

Line-up:
- Justin Hayward / guitars, vocals
- John Lodge / bass guitar, vocals
- Michael Pinder / keyboards, vocals
- Ray Thomas / harmonica, flute, vocals
- Graeme Edge / drums, percussion

Track List:
01. Gypsy – 4:03
02. The Sunset – 4:33
03. Dr. Livingstone, I Presume – 3:23
04. Never Comes The Day – 5:39
05. Peak Hour – 5:13
06. Tuesday Afternoon – 4:51
07. Are You Sitting Comfortably – 4:21
08. The Dream – 0:58
09. Have You Heard Part 1 – 1:22
10. The Voyage – 3:37
11. Have You Heard Part 2 – 2:33
12. Nights In White Satin – 5:55
13. Legend Of A Mind – 7:05
14. Ride My See-Saw – 4:30
15. Gimme A Little Somethin’ (Bonus Studio) – 3:13
16. Please Think About It (Bonus Studio) – 3:44
17. Long Summer Days (Bonus Studio) – 3:12
18. King And Queen (Bonus Studio) – 3:55
19. What Am I Doing Here (Bonus Studio) – 3:33

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