Freedom to Music
Marillion – Script for a Jester's Tear (1983) (@256)
13 Jul 2008
(Review from progreviews.com)
The year is 1983. Synth-pop and new wave have won the war against punk. The dinosaurs of the progressive rock movement are shells of their former selves. What was a self respecting progressive fan to do? There was about to be a revival, of sorts (and not for long), which thrust all things “prog” back into the limelight. The genesis, so to speak, of that revival was Marillion’s debut album “Script for a Jester’s Tear”.
Heavily influenced by classic Genesis, the album set the template for the neo-progressive movement that has stayed with us to this day (for better or worse, depending on your point of view). Longish songs, twiddliy keyboard bits (using cutting edge digital equipment) and soaring guitar solos are all in play here. Not as complex as the classics, but daunting enough to scare away the riff raff.
The greatest distinction from what came before was Fish, the band’s charismatic Scottish frontman. While he certainly sounds a bit more like Peter Gabriel in spots, Fish’s lyrics went to places that the more abstract verse of Genesis and Yes dared to tread. From lost love (“Script for a Jester’s Tear”) to drug addiction (“He Knows You Know”) and suicide (“Chelsea Monday”) to the troubles in Ireland (“Forgotten Sons”), these songs are much more personal than most of 70s progressive. Which is not to say there isn’t some clever social skewering around, too (“Garden Party”). While in the wrong hands these conceits lead to perhaps the most tired neo-progressive cliché, Fish is master, both of the words and the delivery, and isn’t in the same league as most modern melodramatic hacks.
Almost every song is imperfect in some way, but all have redeeming features to make up for it.
“Script For a Jester’s Tear” is in the true spirit of early 70s era progressive rock containing all the main ingredients, emotive and thought provoking lyrics, keyboard and guitar interplay utilizing various effects and above average musicianship.
This edition comes with a bonus CD. There are 3 tracks from Marillion’s EP prior to this debut album with a couple of alternate and demo versions.
Line-up:
- Fish (Derek Dick) / vocals
- Mark Kelly / keyboards
- Mik Pointer / drums, percussion
- Steve Rothery / acoustic & electric guitars
- Pete Trewavas / basses
Track List:
CD1
01. Script For A Jester’s Tear – 8:42
02. He Knows You Know – 5:23
03. The Web – 8:52
04. Garden Party – 7:19
05. Chelsea Monday – 8:17
06. Forgotten Sons – 8:23
CD2
01. Market Square Heroes (Battle Priest Version) – 4:18
02. Three Boats Down From The Candy – 4:31
03. Grendel (Fair Deal Studios Version) – 19:10
04. Chelsea Monday (Manchester Square Demo) – 6:54
05. He Knows You Know (Manchester Square Demo) – 4:29
06. Charting The Single – 4:51
07. Market Square Heroes (Alternative Version) – 4:48
Links in comments.
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about 5 years ago
OGG!
Filesonic 1 -> http://tinyurl.com/3ga5azk
Filesonic 2 -> http://tinyurl.com/3zj35ke
Rapidshare 1 -> http://tinyurl.com/6q8kpt
Rapidshare 2 -> http://tinyurl.com/64ryvd
Password -> sakalli
about 3 years ago
If You talking about Progressive 1983 such as Maillion, so you must also talk about Pallas.
Their Major debut album The Sentinel is a must for this era. Yes I have the complete catalogue from Pallas.
Yes this album is wonderful. At the time of the release I don’t like Marillion, but a few years later I relate my mind and like the albums of the Fish era.
about 3 years ago
1. THANK YOU VERY MUCH!!! May I hope this the start of a Marillion discography? If yes… I’ve been waiting so long to be where we’re going!
2. Regarding Penny Cilin’s comment: I have never heard about Pallas – certainly would be nice to learn about, to hear it.
Sincerely yours,
Thalamus
about 3 years ago
Thalamus, on behalf of Sakalli, I can assuredly say that this is indeed starting of Marillion discography :) (which I am also fond of, very nice to find the remastered 2 CD edition, with an amazing booklet in pdf format! I hope the rest of the stuff are also as such)
The review is a bit overblown, though… He (whoever he is) says “Synth-pop and new wave have won the war against punk”, but disregards the fact that it was actually punk itself which gave way to the mentioned 2 subgenres of music! (with the exception of early electronic bands’ & artists’ influence over synthpop, such as Kraftwerk…) Anyways, luckily there had been bands like Marillion and IQ, which single-handedly kept prog alive – at least for another decade or so. (I haven’t listened to Pallas yet. I’ll try if Sakalli decides to make another series out of it ;) )
about 3 years ago
> Yes I have the complete catalogue from Pallas.
Penny Cillin, can you contact me via sakallimusic@gmail.com” TARGET=”_blank” rel=”nofollow”>e-mail?
about 2 years ago
Hi,
Instead of transfering to Hotfile (overloaded & hence very slow download) can go to the Coos for Megaupload or MediaFire? I am especially looking forward to the Camel Collections.
Thanks a million for your great effort!
Blues Traveler
about 2 years ago
> Instead of transfering to Hotfile (overloaded & hence very slow download) can go to the
> Coos for Megaupload or MediaFire?
Sorry, the transfer is done (been months actually); I’m not looking into another hoster, since it would mean extra work.
Try using JDownloader, you can queue lots of downloads from both Rapidshare and Hotfile, and it does the waiting/captcha work for you too.
about 1 year ago
well i agree with about the lyrics… genesis and yes lyrics were more abstract… and , in my opinion, they were better than marillion lyrics… marillion’s music is great but the lyrics are terrible! some of them are so silly… like lavander:
“Lavenders blue, dilly dilly, lavenders green, dilly, dilly…”
arg… hahaha…